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Mostrando 1–24 de 77 resultados
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banda de jazz, nivel 5 de banda de jazz
A Night in Tunisia
Written for and recorded by Mario Bauza, Michael Philip Mossman adds his own unique flare to this Dizzy Gillespie Latin jazz classic. Featured soloists include trumpet (of course), as well as trombone and alto. A great showcase for the entire ensemble!SKU: HL07011069 -
banda de jazz, nivel 5 de banda de jazz
A Waltz for Patrice(Duet Feature for Trumpet and Tenor Sax)
Here’s a bright and appealing jazz waltz that features a duet of flugel and tenor sax along with an easy flowing feel and style. Punctuated with sophisticated and well-scored ensemble feature spots, this is a terrific change of pace number for mature groups.SKU: HL7012071 -
banda de jazz, nivel 5 de banda de jazz
Airegin
This jazz classic from Sonny Rollins features an uptempo Latin groove with alternating sections in swing. In this challenging, yet great-sounding arrangement the head is treated in a tutti format for all 6-horns, and the solo section is open for any player.SKU: HL07013236 -
banda de jazz, nivel 5 de banda de jazz
All the Things You Are
If you’re looking for a flagwaver that’ll set the audience on the edge of their seats, look no further! Mark Taylor pulls out all the stops with a chart that’s full of great counterpoint, powerful ensemble work, and independent combo settings within the full ensemble context. Includes solos for alto sax and trumpet.SKU: HL34301010 -
banda de jazz, nivel 5 de banda de jazz
Another Great Day
Written in a simmering medium tempo, this distinctive funk chart opens with the bass establishing the groove gradually joined by the rest of the rhythm section. A small combo of soprano sax, baritone sax, trumpet and trombone take the first statement followed by the full ensemble on intricate unison lines as well as tutti ensemble punches and riffs. Solo space is provided for tenor sax. Requires soprano saxSKU: HL07012129 -
banda de jazz, nivel 5 de banda de jazz
Anthropology
In the skilled hands of Mark Taylor, this uptempo bebop classic becomes a showstopper! Listen for the masterful “Bird” sax soli as well as tight ensemble sounds, all at a brisk pace. If your band is ready for something they can sink their teeth into, this may be the perfect chart.SKU: HL7011411 -
banda de jazz, nivel 5 de banda de jazz
Armando’s Rhumba
From Chick Corea’s My Spanish Heart album, this tune is not really a “rhumba,” but rather an extremely energetic samba. This chart features dynamic and challenging passages for the entire ensemble and also ample room for soloists.SKU: HL7011835 -
banda de jazz, nivel 5 de banda de jazz
Bolivian Fantasy
As the title implies, this Michael Mossman original captures a Bolivian style utilizing various layers of sound and shifting moods. Trombones are featured first, but every section of the band gets a workout on this stunning piece. A stop-time section launches the tenor sax solo, and an open percussion feature sets up the powerful finish with the entire ensemble. (Recorded by the Phoenix Foundation Youth Jazz Orchestra, directed by Frank Reichert)SKU: HL07013444 -
banda de jazz, nivel 5 de banda de jazz
Celia
Using a combination of hip-hop and uptempo swing, here’s a marvelous take on Bud Powell’s bebop classic. A front line of alto, tenor and trumpet are featured off the top followed by an extended soli for the entire trumpet section. Solo space is provided for tenor sax, then a sax soli and ensemble shout round things out in this impressive chart!SKU: HL7012858 -
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banda de jazz, nivel 5 de banda de jazz
Conception
Featuring a quartet of alto, trumpet, guitar and vibes at the top, Mark’s stellar treatment of this George Shearing classic swings hard from beginning to end. The intricate bebop lines are skillfully woven throughout, and there are solo spots for trumpet and alto. Also included is an unaccompanied brass statement and ample opportunities for the saxes to shine.SKU: HL7012491 -
banda de jazz, nivel 5 de banda de jazz
Cousin Jeff
Good old cousin Jeff must have been some funky relative! This Les Hooper original features a moderate tempo and attitude-driven funky 2-beat as it churns through a piano opening, sax melody and brass stabs. Also included is solo space for tenor and some spicy ensemble licks near the end.SKU: HL7011514 -
banda de jazz, nivel 5 de banda de jazz
Cubauza
This exciting Afro-Cuban composition is the opening cut from the 1993 album 944 Columbus, the final recording by Mario Bauza, one of the most influential figures in the development of Latin Jazz. The title comes from combining the words “Cuban” and “Bauza” and features a bebop influence interpreted by the Afro-Cuban rhythm section. This newly edited and engraved edition is a “must have” for mature bands. (Recorded by Mario Bauza)SKU: HL7011790 -
banda de jazz, nivel 5 de banda de jazz
Do Nothin’ Till You Hear from Me
Adapted from the arrangement that John Clayton did for Dianne Reeves and the WDR radio big band in Cologne, Germany, here is a moderately slow and sultry swing version of the Duke Ellington favorite. According to John, “it’s about grooving and having fun.”SKU: HL7011575 -
banda de jazz, nivel 5 de banda de jazz
Down to the Nightclub
The masters of funk, Tower of Power, are as relevant and active today as ever before. This hit from the ’70s features a moderate tempo groove with an occasional 7/8 measure thrown in for kicks. Paul’s arrangement for mature bands also includes an optional open section for any soloist.SKU: HL7011827 -
banda de jazz, nivel 5 de banda de jazz
E’s Flat Ah’s Flat Too
The style heading is simply “fast” which doesn’t begin to hint at the energy packed into this Mingus powerhouse. The intensity is built up in layers starting with the bass, followed by the baritone sax, then tenors and finally the entire ensemble. And from there, the chart just never lets up! Recorded live by the Mingus Big Band.SKU: HL07013940 -
banda de jazz, nivel 5 de banda de jazz
Eleanor Rigby
Commissioned by the US Army Jazz Ambassadors, this arrangement by Eric Richards shines new light on the beauty and depth of the classic Beatles hit. An up-tempo Brazilian groove gives way to hints of samba and songo, but always with a smooth and laid back feel. Piano solo is featured off the top, followed by a trio of tenor, trombone and guitar on the head, and later solo space for one or more of these players. A brief nod to the classical feel of the original Beatles track helps build to a climactic shout for the full ensemble. Nice!SKU: HL7011995 -
banda de jazz, nivel 5 de banda de jazz
Eureka!
Commissioned by the Tennessee All-State Jazz Band, this exciting and well-crafted composition features a light and breezy samba style and some marvelous ensemble writing. A duet for alto and trumpet is featured on the head, as well as later in the chart for solos. Along the way are creatively designed background figures and a “shout” section that features the drums followed by a solid tutti ensemble statement.SKU: HL7011409 -
banda de jazz, nivel 5 de banda de jazz
Evil Ways
This Santana hit has endured through the years and been recorded countless times. Here it is like you’ve never heard it before in the masterful hands of Michael Mossman! Arranged for David Sanborn, it has substantial solo space for alto sax, but other soloists include trombone, trumpet and guitar. The opening features a laid back cha-cha feel with colorful scoring (flute is optional) before developing into a real powerhouse for the rest of the chart.SKU: HL7011788 -
banda de jazz, nivel 5 de banda de jazz
Fever (Key: G min)(Vocal Solo with Big Band)
Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L.A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually builds to a feverish pitch with periodic wild intrusions from the full ensemble. Feel the burn!SKU: HL7012924 -
banda de jazz, nivel 5 de banda de jazz
Finya Wulo
Commissioned by the South Carolina Band Directors Association, Finya Wulo (Mende – “funeral song”) is written using a distinctive 12/8 “bembe” feel in a moderate tempo. The scoring utilizes a small combo contrasted with passages for the full ensemble. This is an adventurous and engaging work featuring extended harmonies and a unique rhythmic tapestry. Solos are included for trumpet and tenor sax.SKU: HL7012341 -
banda de jazz, nivel 5 de banda de jazz
For All We Know
As performed by Carmen McRae (including the spoken intro), here is John Clayton’s sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement as the vocal solo. (Requires woodwind doubles on flute, clarinets and bass clarinet)SKU: HL7011577
