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Mostrando 3265–3288 de 3834 resultados
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banda sinfónica, nivel 2 de banda sinfónica
Swingin’ Jingle Bells
¿Quién iba a decir que James Lord Pierpont podía estar tan de moda? Este suave tratamiento swing de Jingle Bells alegrará tus vacaciones al tiempo que te brinda la oportunidad de introducir este típico estilo americano a tu joven banda… ¡swingin’ all the way! (4:06)SKU: AL30781 -
banda de jazz, nivel 5 de banda de jazz
Symphony in Riffs
Symphony In Riffs is Benny Carter’s most famous piece. Originally composed and arranged in the 1930’s for 4 reeds and 5 brass, Benny re-scored this version for a larger band some 50 years later. Benny was known for his idiomatic saxophone writing and this chart is a great example of that. Just when you think that the soli chorus at D is as good as his saxophone writing can get, he modulates and tops it with the brilliant new section at I. This is a transitional piece between the pre-swing of the 1920s and the mid-1930s swing.SKU: AL30564 -
banda de jazz, nivel 1 de banda de jazz
T.M.I. (Too Much Information)
This Latin-rock original by Ralph Ford has a distinct Santana flavor. With a fresh sounding melody that could easily be a pop hit, Ralph has scored this one to sound full – even with reduced instrumentation – and the younger players will definitely hook into this tune. Written-out solos for piano and trombone are provided and the brass ranges are very accessible. This is a winner!SKU: ALJEM03043 -
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banda de jazz, nivel 2 de banda de jazz
Take Five
Give Mike Lewis the most famous 5/4 tune ever written and tell him to arrange it for young jazz ensemble, and you have an instant hit. Mike has created a great opportunity for developing young jazz musicians to enjoy this Dave Brubeck standard. Great teaching material! (duration 3:15)
SKU: ALJE9701 -
banda de jazz, nivel 2 de banda de jazz
Take Five
Perhaps the most famous time chart of all time, Take Five is in 5/4 but the rhythmic pattern is clear and consistent throughout. You’ll find this arrangement very accessible with easy alto sax and drum solos, and modest brass ranges. Recommended for every concert! (4:21)SKU: AL29819 -
banda de jazz, nivel 3 de banda de jazz
Take Five
Yep, it’s in 4/4 not 5/4. A clever chart on a super classic that everyone will recognize, young or old. The bossa nova tempo is around 130 BPM and there are written suggested solos for piano and alto sax. Lead trumpet range is to written B-flat above the staff, and an interlude reoccurs to offer contrast. It all works great! “Take Five” has been skillfully arranged by John Zontek. (4:50)SKU: AL46164 -
banda de jazz, nivel 1.5 de banda de jazz
Take on Me
The trumpets are in the spotlight in this easy version of the 1985 techno rock classic recorded by the group A-ha. Featuring an energetic rock groove throughout, this chart is solidly scored for the entire band, and no solos are required.SKU: HL7012996 -
banda de jazz, nivel 1 de banda de jazz
Take the “A” Train
This chart swings all the way and is very playable by a young band. Arranger Vince Gassi captures the essence of this well-known Strayhorn composition made famous by Ellington, and scored it exactly right—not too difficult but with fun-to-play parts. It includes brief written solos for 1st alto sax and 1st trumpet and easy ranges with plenty of dynamics to teach. A superb chart you will play for years to come! (3:05)SKU: AL30614 -
banda de jazz, nivel 4 de banda de jazz
Take the “A” Train
Think of Take the “A” Train with a contemporary flair and you have the idea behind this inventive chart by Alan Baylock. Opening up in a swing groove, then alternating with a funk feel, bari sax, bass ‘bone, guitar and bass have the initial melodic statement in this terrific chart. Solo space is available for alto sax 1, trombone 1, bari sax and trumpet 2, and the lead trumpet range is to written D, above the staff. A modern yet superb chart of a tune everyone knows. Festival material! (5:15)SKU: AL30644 -
banda de jazz, nivel 5 de banda de jazz
Take the “A” Train
Frank Foster, leader and arranger for the Count Basie band, penned this version of the classic big band tune. Recreate that great Basie sound with your own ensemble, using the same chart they use. Wonderful sounds and great teaching material, too. (4:21)
SKU: ALJE9511 -
banda de jazz, nivel 2.5 de banda de jazz
Take the “A” Train
Perhaps one of the most well-known jazz standards, check out this vocal with big band chart. At a swinging 152 BPM, the key is F and the vocal range is A below middle C to 3rd space C, treble clef. No instrumental solos, lead trumpet range is to G on top of the staff. Plus, there are optional solos instrumental parts for B-flat, E-flat and bass clef instruments in lieu of the vocal. A great tune, and great chart, it will be a hit for sure.SKU: AL40376 -
banda de jazz, nivel 1.5 de banda de jazz
Take the “A” Train
Billy Strayhorn’s iconic jazz standard, recorded by Duke Ellington, is skillfully adapted in this easy version. From the trademark introduction, saxes on the main theme, and short written or ad lib. solos, this will sound great even with young players.The Discovery Jazz Series features arrangements written for full band, playable with 3 saxes, 2 tpts., 1 tbn., rhythm section. Each arrangement includes optional parts for flute, clarinet, F horn and tuba and full length recordings available for each arrangement.SKU: HL07013724 -
banda de jazz, nivel 3.5 de banda de jazz
Talk Is Cheep
The chicken saga continues and it is FUNKY! This big band funk chart grooves at a tempo around 116 BPM. The energetic groove begins after the chorale intro. The saxes state the melody, joined by brass, then solos (written-out or ad lib) for tenor and trumpet 2, building up to a huge shout chorus. Lead trumpet range is to written A above the staff.SKU: AL38692 -
banda sinfónica, nivel 1 de banda sinfónica
Tamales calientes (Hot Tamales)
Sus percusionistas estarán deseando que ensaye ésta. Una variedad de sonidos multiculturales de percusión es la base de este encantador tema. Aunque es lo suficientemente fácil como para ser interpretada por no percusionistas, el arreglo servirá para reforzar un pulso sólido con su sección de percusión. Los dos estilos variados proporcionan un contraste delicioso, un éxito de público seguro. ¡Olé! (2:22)SKU: ALBDM03014 -
banda sinfónica, nivel 3.5 de banda sinfónica
Tambores de los Saamis (Drums of the Saamis)
Drums of the Saamis fue un encargo de la Medicine Hat Concert Band Society de Medicine Hat, Alberta (Canadá). La pieza narra la fusión de las culturas de la Primera Nación (primeros nativos) y de la moderna Alberta. Los tambores tribales de apertura seguidos de la inquietante melodía que simula la flauta de madera tradicional comprenden dos temas que son la base de toda la pieza. Ambos elementos se desarrollan, varían y realzan a medida que el oyente percibe la creciente influencia de la Alberta moderna mediante el uso de acordes y ritmos que suenan modernos. Al final, la unión de lo antiguo y lo nuevo es completa. Esta poderosa obra se cierra como empezó: una reafirmación de los temas que representan los cimientos musicales e históricos de la región. Duración 5:00SKU: HL04003770 -
banda de jazz, nivel 4 de banda de jazz
Tanganova
Leave it to Michael Mossman to combine two unique Latin styles (tango and bossa nova) into a single composition! The saxes take the lead on the sultry tango theme punctuated by the brass, then a trumpet soloist takes over when the bossa style kicks in. This is ingenious writing that really works!SKU: HL7011527 -
banda de jazz, nivel 4 de banda de jazz
Tangerine
Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for trombone. A classic and unique take on a familiar standard.SKU: HL07013378 -
banda sinfónica, nivel 3 de banda sinfónica
Tango azul (Blue Tango)
En el apogeo de su carrera, a mediados de los años 30, Leroy Anderson empezó a hacer arreglos para la Boston Pops Orchestra de Arthur Fiedler. Más tarde, Fiedler le animó a escribir sus propias melodías para la Pops. Sus composiciones, más de 50, definen prácticamente el sonido de la orquesta pop estadounidense contemporánea.Blue Tango fue un éxito nº 1 en 1951, yuxtaponiendo la carismática melodía sobre un pulso de tango tradicional. La obra capturó el espíritu de una época. Esta nueva edición fue originalmente arreglada por el compositor para Banda Sinfónica y ha sido regrabada con partitura completa por primera vez, permitiendo una uniformidad de articulación en toda la obra.
SKU: AL82361 -
banda sinfónica, nivel 4 de banda sinfónica
Tango callejero (Street Tango)
El compositor y virtuoso bandoneonista argentino Astor Piazzolla añadió una nueva dimensión al tango tradicional con su uso de elementos jazzísticos, armonías extendidas y disonancias. Su distintiva composición Street Tango se adapta maravillosamente aquí para banda con su variedad en texturas, tempos y naturaleza casi improvisatoria. Una obra vibrante y atractiva para el escenario. Duración 4:30SKU: HL48023822 -
banda de jazz, nivel 1 de banda de jazz
Tango for Jam Jam
“Tango for Jam Jam” by Zachary Smith is a captivating tango sure to be a hit at any concert. The tempo is 120 BPM and the chart has a written alto sax solo, along with lots of built-in energy and most importantly, it’s fun to play. You’ll think you’re in Argentina! (3:22)SKU: AL45061
