Shop
Showing 145–168 of 3834 results
-
Concert Band, Concert Band Grade: 5
Aesop’s Fables
Aesop’s Fables, for narrator and band, musically portrays four tales attributed to the ancient moralist. The four movements are based on “The Hare and the Tortoise,” “The Boy Who Cried Wolf,” “The Dog and the Bone” and “The Wolf and His Shadow.” Dynamic and highly dramatic! (9:45)SKU: AL23314 -
Concert Band, Concert Band Grade: 2
Affirmation Overture
With a supremely atmospheric setting, this original overture provides a crisp, grand major work with wonderful content, but minimal technical demands. Sweeping lyrical thematic material meshes superlatively with strong rhythmic content. This work packs the power to captivate for concert or contest.
SKU: ALBD00924 -
Jazz Ensemble, Jazz Ensemble Grade: 4
Africa
Originally a #1 hit for Toto in the early ’80s, and recorded again recently by the group Weezer, this powerful rock anthem features a distinctive groove and memorable lines. John Wasson has given it a contemporary spin while maintaining the feel and drive of the original.SKU: HL07013308 -
Concert Band, Concert Band Grade: 4
Africa: Ceremony, Song, and Ritual
A stunning work of gigantic proportion—filled with the mystery, the fire, and the intrigue of the Dark Continent. A large percussion section will give this composition its drive. Robert suggests that all available percussionists encircle the audience in the final section, drawing the audience inside the worship circle. (9:00)SKU: ALBD01057 -
Concert Band, Concert Band Grade: 1
African Adventure
Take your young musicians and the audience on a trip to a mysterious continent with this tuneful and rhythmic offering. The tribal Swahili beat and authentic-sounding harmonies will provide a colorful and vibrant moment on your next concert.“African Adventure” correlates to Book 2, Level 3 of Sound Innovations for Concert Band. It is an enhanced version of the popular piece of the same name that appears in Sound Innovations, Book 2.
SKU: AL36667 -
Concert Band, Concert Band Grade: 1
African Alleluia
This piece is a joyous arrangement of the popular Kenyan song “Wana Baraka.” Repeating percussion patterns utilizing cowbell, claves, tom tom, and bass drum provide a solid rhythmic foundation for the catchy syncopated melody. A typical call-and-response section gives this arrangement an authentic African feel. (2:00)SKU: AL41933 -
Concert Band, Concert Band Grade: 2
African Bell Carol (for Percussion and Winds)
The traditional “Ukranian Bell Carol” has been expertly scored in a multi-cultural setting for young band and percussion by veteran arranger Robert W. Smith. The arrangement begins quietly with percussion disguising the familiar melodic material. A series of musical evolutions builds to an impressive conclusion. This selection is sure to be a holiday treat for years to come.SKU: ALBDM01050 -
Concert Band, Concert Band Grade: 3
African Dreams
William Kamkwamba was raised in Malawi, an African country where magical thoughts prevailed but modern technology was a mystery. From books he read, young William imagined building a windmill that might, one day, bring electricity and water to his village and drastically change the lives of his neighbors. Hoping to someday study science, his country was debilitated by famine that forced William to drop out of school and forage for food as thousands throughout the country died of starvation. However, William’s passion remained indefatigable and, using scrap metal, tractor parts, and bicycle halves, he ingeniously built a crude yet operable windmill that powered four lights and his radio. News of William’s achievement soon spread beyond his country’s borders, and the young boy who was once thought of as crazy became a hero to many around the world. (5:30)SKU: AL37840 -
Concert Band, Concert Band Grade: 1.5
African Marching Song
The South African folk classic “Siyahamba” is authentically treated in this special arrangement for young band. Repeating percussion patterns using tom toms, bass drum, claves, and cowbell keep the African feel moving while syncopated block harmonies round out the accompaniment. Trumpets and flutes get to shine on the opening melody, and in typical African call and response tradition, everyone gets to join in as the arrangement progresses. Correlated to Accent on Achievement, Book 2, page 23.SKU: AL22247 -
Concert Band, Concert Band Grade: 1.5
African Spirit Dance
Treat your students to an upbeat, fun arrangement that evokes the spirit of South African traditional dance music. Great percussion parts, a catchy melody, traditional call-and-response sections and even some “blue notes” will make this piece a favorite!Correlates with Accent on Achievement Book 2, page 23.
SKU: AL26794 -
Jazz Ensemble, Jazz Ensemble Grade: 2
Afro Blue
Easy Jazz Ensemble – Grade 2With an almost hypnotic 3/4 rhythmic pattern, here is an effective yet easy version of this standard made famous by John Coltrane. The saxes are featured on the first chorus then the brass get a chorus of their own. The simple solo section (using a single scale) makes this a great training piece for improvisation (sample solos are provided for all keys). A marvelously unique offering at the easy level!Enjoy great flexibility with the Easy Jazz Ensemble series! Playable with 4 saxes, 3 trumpets, 3 trombones and rhythm.SKU: HL07010985 -
Jazz Ensemble, Jazz Ensemble Grade: 4
Afro Blue
Jazz Ensemble Library – Grade 4Made famous by John Coltrane, but treated here in a more traditional Afro-Latin style, this is something a little different for jazz ensemble. As with all Mossman charts, the rhythm section is meticulously notated to insure the correct style. The 3/4 pattern throughout draws heavily on African influences and the melody is masterfully passed from section to section. A single pentatonic scale works for the solo section making this a wonderful vehicle for involving many soloists.SKU: HL07010987 -
-
Jazz Ensemble, Jazz Ensemble Grade: 4
After You’ve Gone
Jazz Ensemble Library – Grade 4Arranged here in a Basie-style slow swing setting, this well-crafted chart starts out as a study in ensemble writing with the brass in buckets and the drums on brushes. Later there is a solo for trumpet followed by a shout chorus where the full band really lets loose. Quality writing for contests and festivals!SKU: HL07010708 -
Concert Band, Concert Band Grade: 4
Afterlife
Since the beginning of time man has pondered what happens when our physical body dies. Some believe we go to Heaven. Others doubt its existence entirely. Then there are those who have had near death experiences and live to tell their stories. This composition starts delicately as peacefulness returns to the soul. It intensifies as we approach our new consciousness, constantly modulating between the two as we gain knowledge of our new surroundings. (4:45)SKU: AL44198 -
Jazz Ensemble, Jazz Ensemble Grade: 3
Afternoon in Paris
John Lewis (composer, pianist, and founder of the acclaimed Modern Jazz Quartet) penned Afternoon in Paris in the ’50s and it has remained a jazz standard ever since. This nicely crafted version for younger bands opens with a small group on the head and drums on brushes. Solos for trumpet and tenor follow, along with full ensemble statements.SKU: HL7011738 -
Jazz Ensemble, Jazz Ensemble Grade: 5
Again and Again
Even when Benny Carter wasn’t writing for Count Basie, many of his charts from the 1950’s onward sound like they could have been written for Basie. Maybe this is because so many of Basie’s arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.SKU: AL30563 -
Jazz Ensemble, Jazz Ensemble Grade: 4
Água de Beber (Water to Drink)
Arranged here in a unique samba setting, Michael Mossman provides some surprising twists and turns in this familiar Latin classic by Antonio Carlos Jobim. Every section gets into the act, along with a solo for tenor sax, soli spots for the saxes and brass, and some hard-hitting full ensemble passages.SKU: HL7011510 -
Jazz Ensemble, Jazz Ensemble Grade: 1
Ain’t Misbehavin’
Here’s a nice easy-goin’ swing chart on a great jazz classic composed by Fats Waller. Arranger Ralph Ford, one of our specialists in writing for young bands, does it once again. Solos are for piano and tenor sax (both written out), the brass ranges are modest, and this arrangement is loaded with natural swing licks. A super chart!SKU: ALJEM01061 -
Jazz Ensemble, Jazz Ensemble Grade: 3
Ain’t No Mountain High Enough
Young Jazz Ensemble – Grade 3This motown classic has provided hit material for greats such as Marvin Gaye, Diana Ross, and most recently Michael McDonald. This great-sounding tune is as fresh today as it was back in the ’60s. You can’t go wrong with this rockin’ fun chart.SKU: HL07011053 -
Jazz Ensemble, Jazz Ensemble Grade: 1.5
Ain’t No Mountain High Enough
Recorded by such greats as Marvin Gaye, Diana Ross, and most recently Michael McDonald, this rockin’ Motown classic will sound great with your beginning players. Easy to learn and fun to play!Enjoy great flexibility with the Discovery Jazz series! Playable with 3 saxes, 2 trumpets, 1 trombone, piano and drums; includes optional parts for flute, clarinet, F horn and tuba.SKU: HL7470733 -
