Jazz Ensemble Grade: 5
Showing 1–24 of 118 results
-
Jazz Ensemble, Jazz Ensemble Grade: 5
(The) Very Best of Times
This very playable swing chart at 140 BPM has solo space for alto, tenor, trumpet, trombone and/or piano. The auxiliary percussion part is for vibes. Lead trumpet range is to written high E. A tasty Basie-style chart that is accessible to a good high school band. (8:07)SKU: AL36071 -
Jazz Ensemble, Jazz Ensemble Grade: 5
A Night in Tunisia
Written for and recorded by Mario Bauza, Michael Philip Mossman adds his own unique flare to this Dizzy Gillespie Latin jazz classic. Featured soloists include trumpet (of course), as well as trombone and alto. A great showcase for the entire ensemble!SKU: HL07011069 -
-
Jazz Ensemble, Jazz Ensemble Grade: 5
A Waltz for Patrice(Duet Feature for Trumpet and Tenor Sax)
Here’s a bright and appealing jazz waltz that features a duet of flugel and tenor sax along with an easy flowing feel and style. Punctuated with sophisticated and well-scored ensemble feature spots, this is a terrific change of pace number for mature groups.SKU: HL7012071 -
Jazz Ensemble, Jazz Ensemble Grade: 5
Again and Again
Even when Benny Carter wasn’t writing for Count Basie, many of his charts from the 1950’s onward sound like they could have been written for Basie. Maybe this is because so many of Basie’s arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.SKU: AL30563 -
Jazz Ensemble, Jazz Ensemble Grade: 5
Airegin
This jazz classic from Sonny Rollins features an uptempo Latin groove with alternating sections in swing. In this challenging, yet great-sounding arrangement the head is treated in a tutti format for all 6-horns, and the solo section is open for any player.SKU: HL07013236 -
Jazz Ensemble, Jazz Ensemble Grade: 5
All the Things You Are
If you’re looking for a flagwaver that’ll set the audience on the edge of their seats, look no further! Mark Taylor pulls out all the stops with a chart that’s full of great counterpoint, powerful ensemble work, and independent combo settings within the full ensemble context. Includes solos for alto sax and trumpet.SKU: HL34301010 -
Jazz Ensemble, Jazz Ensemble Grade: 5
Another Great Day
Written in a simmering medium tempo, this distinctive funk chart opens with the bass establishing the groove gradually joined by the rest of the rhythm section. A small combo of soprano sax, baritone sax, trumpet and trombone take the first statement followed by the full ensemble on intricate unison lines as well as tutti ensemble punches and riffs. Solo space is provided for tenor sax. Requires soprano saxSKU: HL07012129 -
Jazz Ensemble, Jazz Ensemble Grade: 5
Anthropology
In the skilled hands of Mark Taylor, this uptempo bebop classic becomes a showstopper! Listen for the masterful “Bird” sax soli as well as tight ensemble sounds, all at a brisk pace. If your band is ready for something they can sink their teeth into, this may be the perfect chart.SKU: HL7011411 -
-
Jazz Ensemble, Jazz Ensemble Grade: 5
Backrow Politics
At last, a showcase for the trumpet section from Gordon Goodwin! The groove is straight eighths with a funky feel. Solo space is provided for trumpets 1, 2, 3, 4, but can be tailored as desired. Lead trumpet range is to written high G with an optional A. This is a fun chart and will be a kick for the band and audience. (6:54)SKU: AL26893 -
Jazz Ensemble, Jazz Ensemble Grade: 5
Black and Tan Fantasy
Warner Bros. Publications is proud to present this important new series, Jazz at Lincoln Center Library. Each selection was selected by the Center’s musical director, Wynton Marsalis, for Essentially Ellington: The Annual Jazz at Lincoln Center High School Jazz Band Competition. Each transcription is direct from the recordings of the immortal Duke Ellington, and they are not only authentic, they are perfect for your jazz ensemble. Features information about the original recording, rehearsal notes from Jon Faddis and Brent Wallarab, and performance suggestions from Wynton Marsalis. These classic tunes represent jazz at its finest!
SKU: ALJLC9801 -
Jazz Ensemble, Jazz Ensemble Grade: 5
Bolivian Fantasy
As the title implies, this Michael Mossman original captures a Bolivian style utilizing various layers of sound and shifting moods. Trombones are featured first, but every section of the band gets a workout on this stunning piece. A stop-time section launches the tenor sax solo, and an open percussion feature sets up the powerful finish with the entire ensemble. (Recorded by the Phoenix Foundation Youth Jazz Orchestra, directed by Frank Reichert)SKU: HL07013444 -
Jazz Ensemble, Jazz Ensemble Grade: 5
Boy Meets Horn
Warner Bros. Publications is proud to present this important new series, Jazz at Lincoln Center Library. Each selection was selected by the Center’s musical director, Wynton Marsalis, for Essentially Ellington: The Second Annual Jazz at Lincoln Center High School Jazz Band Competition. Each transcription is direct from the recordings of the immortal Duke Ellington, and they are not only authentic, they are perfect for your jazz ensemble. These classic tunes represent jazz at its finest!
SKU: ALJE9718 -
Jazz Ensemble, Jazz Ensemble Grade: 5
Celia
Using a combination of hip-hop and uptempo swing, here’s a marvelous take on Bud Powell’s bebop classic. A front line of alto, tenor and trumpet are featured off the top followed by an extended soli for the entire trumpet section. Solo space is provided for tenor sax, then a sax soli and ensemble shout round things out in this impressive chart!SKU: HL7012858 -
Jazz Ensemble, Jazz Ensemble Grade: 5
Chelsea Bridge
The brilliant composer/arranger Billly Strayhorn created this gorgeous melody and lush arrangement—this is the authentic version by Strayhorn himself. Recorded by Duke Ellington, the suggested tempo is a medium swing around 96 BPM. Features include a tenor 2 melody bridge solo, tenor 1 has a clarinet double, a sax section soli, a trombone 3 melody solo, and lead trumpet range is to written high C above the staff. (4:10)
SKU: AL38712 -
-
Jazz Ensemble, Jazz Ensemble Grade: 5
Conception
Featuring a quartet of alto, trumpet, guitar and vibes at the top, Mark’s stellar treatment of this George Shearing classic swings hard from beginning to end. The intricate bebop lines are skillfully woven throughout, and there are solo spots for trumpet and alto. Also included is an unaccompanied brass statement and ample opportunities for the saxes to shine.SKU: HL7012491 -
Jazz Ensemble, Jazz Ensemble Grade: 5
Cousin Jeff
Good old cousin Jeff must have been some funky relative! This Les Hooper original features a moderate tempo and attitude-driven funky 2-beat as it churns through a piano opening, sax melody and brass stabs. Also included is solo space for tenor and some spicy ensemble licks near the end.SKU: HL7011514 -
Jazz Ensemble, Jazz Ensemble Grade: 5
Cubauza
This exciting Afro-Cuban composition is the opening cut from the 1993 album 944 Columbus, the final recording by Mario Bauza, one of the most influential figures in the development of Latin Jazz. The title comes from combining the words “Cuban” and “Bauza” and features a bebop influence interpreted by the Afro-Cuban rhythm section. This newly edited and engraved edition is a “must have” for mature bands. (Recorded by Mario Bauza)SKU: HL7011790
