Gustav Holst

The third movement of Opus 34 (Three Festival Choruses), which Gustav Holst penned in 1916, was originally scored for chorus with piano, orchestra, or military band. The easily recognized melody is a nineteenth century Welsh ballad, known to most as the hymn tune “St. Denio,” set to the words of English poet, Clifford Bax. In 3/4, this characteristically delightful Holst theme has been freely arranged to incorporate elements of his original score with additional material included to heighten musical interest for contemporary concert bands and audiences alike. As the title implies, chimes are an integral part of this arrangement; however, there are alternate options provided in the program notes if a suitable instrument is unavailable. This musical setting is complete with a variety of teaching and performance opportunities and a perfect fit for beginning concert bands. (2:00)

Based on the original opening of the original introduction for Second Suite in F for Military Band, Holst replaced this section with the now-familiar morris dance tune, “Glory Shears.” The 38-measure passage (crossed out in the autograph score) draws upon the English folk song, “Young Reilly,” and presents an alluring work in itself for younger players. Serious band literature for your developing band! (2:15)

Morris dancing has been part of English culture and tradition for more than five centuries and still flourishes today in all parts of the UK. Douglas Wagner has made use of Holst’s charismatic style in these four spirited ‘dance’ tunes which now each include a brief introduction that also serves as an interlude for this through-played work. A charming cross-cultural addition to the concert band repertoire!

“This attractive educational material will provide many teaching opportunities.”

– The Instrumentalist