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Mark Taylor
Showing 97–120 of 199 results
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Jazz Ensemble, Jazz Ensemble Grade: 4
Love Beams
Originally composed by Mark Taylor four decades earlier, Love Beams proves its staying power with a new recording on Mark’s big band CD “To the Edge.” With its easy going bossa style and gently flowing melodies, we’re sure it will be around at least for another four decades!(Recorded by Mark Taylor & the Big Band on “To the Edge” HL07012621)SKU: HL7012796 -
Jazz Ensemble, Jazz Ensemble Grade: 4
Love Is Here to Stay
Arranged in a medium tempo Basie-style swing, this arrangement is a study in effective writing for the entire ensemble. From the small group passages contrasted with full band scoring, to the sax soli sections with brass responses, this chart is a gem! Solos are included for trumpet and tenor.SKU: HL7012441 -
Jazz Ensemble, Jazz Ensemble Grade: 4
Love Matters the Most(Tenor Sax Feature)
Here is a wonderfully sensitive jazz ballad that features a tenor sax soloist throughout. Mark uses woodwind doubles (optional) and lush harmonies with muted brass textures in creating this stunningly beautiful work.Recorded by the Bias Big Band at Bias Studios, Springfield, VA – Bob Dawson, engineerSKU: HL7012323 -
Jazz Ensemble, Jazz Ensemble Grade: 3
Lover Come Back to Me (Key: B-Flat)(Vocal Solo or Tenor Sax Feature)
Jazz Ensemble, Jazz Ensemble Grade: 3Lover Come Back to Me (Key: B-Flat)(Vocal Solo or Tenor Sax Feature)
This familiar standard, first popular in the ’20s and ’30s, has been revisited over the years in a variety of styles. Here is an attractive, smooth samba version for vocal solo (opt. tenor sax) that includes a feature spot for the saxes accompanied by the vocalist in a “vocalese” style. A marvelous change of pace for festival or concert use.SKU: HL7012704 -
Jazz Ensemble, Jazz Ensemble Grade: 5
Lulu’s Left Town
This sparkling uptempo swinger from the pen of Mark Taylor is impressive right from the opening full ensemble statement, and it doesn’t let up from there. Small ensemble playing is beautifully contrasted with full band writing, and solo space is included for guitar, trumpet and drums. A sax soli, shout chorus, and even some group improvisation round out this impressive offering!SKU: HL7011929 -
Jazz Ensemble, Jazz Ensemble Grade: 5
Mokopuni Magic(Island Magic)
Reminiscent of the music Mark Taylor wrote for the Stan Kenton Orchestra, this fiery showpiece features a churning Afro-Cuban groove alternating with sections in swing. Small group scoring is contrasted with full ensemble passages, and you’ll need a few additional percussionists to fill out the Latin sound! Includes solos for alto sax and guitar.SKU: HL07013438 -
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Jazz Ensemble, Jazz Ensemble Grade: 4
Mood Indigo
The lush harmonies and flowing melody of this Ellington favorite are set in a medium samba style in this creative arrangement that takes full advantage of the six-horn format. In addition to full ensemble choruses and trade-offs, there is solo space for alto sax as well as guitar and/or piano.SKU: HL7012405 -
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Jazz Ensemble, Jazz Ensemble Grade: 4
Mr. Funkyman!
Every band needs a good funk chart to add to its festival or concert repertoire and Mr. Funkyman! from Mark Taylor is sure to fit the bill. Using a moderate tempo, the rhythm section churns throughout as the brass and saxes provide powerful riffs and punches. This is also a rare chance for your guitarist to turn loose on a solo!SKU: HL7012982 -
Jazz Ensemble, Jazz Ensemble Grade: 4
Mr. Lucky(Soprano Sax Feature)
Mancini’s classic theme is treated here in a moderate bossa style as solo vehicle for soprano sax (optional alto). Timeless melodies, lush harmonies, and a unison line feature for the entire ensemble all combine to create a standout arrangement.SKU: HL7011792 -
Jazz Ensemble, Jazz Ensemble Grade: 4
My Cherie Amour
Who would have thought to transform this Stevie Wonder hit into a swinging jazz waltz? That’s exactly what master arranger Mark Taylor has come up with as he uses this creative setting to feature an alto sax soloist and inventive ensemble lines.SKU: HL07011113 -
Jazz Ensemble, Jazz Ensemble Grade: 3
My Little Suede Shoes
This appealing and lighthearted tune by Charlie Parker is treated here in a medium-tempo samba style. A small group comprised of alto, tenor, trumpet, trombone and guitar takes the lead for the first chorus. After a solo section for alto sax and trumpet, the entire ensemble jumps in for a chorus while trading phrases with the drums. A very effective and unique offering for young bands.SKU: HL7012295 -
Jazz Ensemble, Jazz Ensemble Grade: 3
My Little Suede Shoes
Mark uses a light samba feel to craft a marvelous setting of this Charlier Parker standard for the little big band format. Perfectly scored tutti ensemble figures are contrasted with feature spots for a duet of alto sax and trumpet. Easy flowing rhythms and modest ranges make this one easy to learn.The Little Big Band Series features arrangements that are: Scored for 6 horns (3 saxes, 2 trumpets, trombone) plus rhythm section; Include additional optional parts for alto, tenor and trombone; Perfect for smaller programs, or additional ensemble opportunities.SKU: HL07013604 -
Jazz Ensemble, Jazz Ensemble Grade: 3
Nice ‘n’ Easy
Recorded by Frank Sinatra on his 1960 hit album by the same name, this tune has become a standard recorded by countless jazz artists. Rather than the swing style of the original, Mark Taylor beautifully crafts this version as a medium tempo bossa. Cast primarily as a duet for trumpet and alto sax, there is skilled scoring for the entire ensemble throughout.SKU: HL7013096 -
Jazz Ensemble, Jazz Ensemble Grade: 4
Not Yet Over the Hill
This cookin’ original from Mark Taylor opens with the rhythm section setting up the groove before the saxes take the first statement of the head. Packed with energy throughout, this medium tempo blues chart features plenty of solid ensemble writing, solo space for trumpet and tenor, plus a final ensemble shout that includes some solo fills for your drummer. Powerful!SKU: HL7011590 -
Jazz Ensemble, Jazz Ensemble Grade: 3
Now’s the Time
This swing classic from bebop legend Charlie Parker belongs in every jazz library. The easy melody and blues changes make this a perfect fit for younger players. Mark’s classy chart spreads the melody around starting with a front line of three saxes, trumpet and trombone, followed by feature spots for the sax section, and finally a marvelous tutti for the entire ensemble. This chart’s got it all!SKU: HL07013656 -
Jazz Ensemble, Jazz Ensemble Grade: 4
On the Ginza
Mark Taylor uses a mix of small group playing contrasted with full ensemble passages in this early composition from jazz master Wayne Shorter. After a solo section featuring alto sax then trombone, a sax soli leads to a short yet powerful tutti ensemble shout.SKU: HL7012874 -
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Jazz Ensemble, Jazz Ensemble Grade: 4
One by One
Composed by Wayne Shorter and recorded by Art Blakey & the Jazz Messengers in 1963 on Ugetsu, here is “One by One” in a dynamic and muscular big band chart from the pen of Mark Taylor. Featuring a small combo of 3 saxes, trumpet and trombone interspersed with solid hits from the full ensemble, this medium swinger is a great showcase for contest or festival. Includes solos for alto sax and trumpet.SKU: HL7011628 -
Jazz Ensemble, Jazz Ensemble Grade: 4
Out Back of the Barn(Baritone Sax Feature)
What better instrument to feature on a bluesy “bump and grind” swinger like this than baritone sax? Written in a medium slow 12/8 feel, this chart will make your entire band sound great, plus allow an often neglected player to really shine.SKU: HL7011817 -
Jazz Ensemble, Jazz Ensemble Grade: 4
Overjoyed(Tenor Sax Feature)
This wonderful classic ballad recorded by Stevie Wonder is set here as a feature for tenor sax. Beautifully accompanied by piano only in the beginning, a mellow accompaniment follows (with flugels and bones in buckets) as a medium bossa tempo settles in.SKU: HL7012712
