Michael Philip Mossman
Showing 25–48 of 60 results
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Jazz Ensemble, Jazz Ensemble Grade: 4
I’ve Told Ev’ry Little Star
In the able hands of master arranger Michael Philip Mossman, this popular standard from the 1930s takes on new life. Using a mix of cha-cha and mambo styles, this marvelous arrangement becomes a solo vehicle for tenor sax, along with ample space for the full band to shine. Throughout, this chart is loaded with impact and attitude!SKU: HL7011987 -
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Jazz Ensemble, Jazz Ensemble Grade: 5
La Fiesta
Here is a sizzling Afro-Cuban version of this Chick Corea classic that is sure to be an impressive addition to any program for mature bands. Perfect as a feature for your pianist, but the flexible solo section allows other players to be featured as well.SKU: HL7011724 -
Jazz Ensemble, Jazz Ensemble Grade: 4
Let’s Face the Music and Dance
In the skilled hands of arranger Michael Mossman, this Irving Berlin classic feels completely at home as a mambo! With some harmonic wrinkles and a terrific mix of scoring styles, this chart has a great flow and pacing. Solo space is included for alto sax.SKU: HL07013654 -
Jazz Ensemble, Jazz Ensemble Grade: 4
Libertango
You may not recognize this by the title, but Libertango is one of the most well-known tangos throughout the world. Written with sultry lines for the saxes and rhythmic punctuations in the brass, this distinctive arrangement deserves a place in your library. Includes solo for alto sax.SKU: HL2501391 -
Jazz Ensemble, Jazz Ensemble Grade: 5
Little Flamenco
Recorded by Chick Corea and Origin on the CD “Change,” this high-energy syncopated number is filled with intricate melodies and creative harmonies. This challenging arrangement will stretch your players a bit but provide a valuable and rewarding performance experience. (Boosey & Hawkes)SKU: HL48019471 -
Jazz Ensemble, Jazz Ensemble Grade: 5
Mia’s Lamplight Foxtrot
Utilizing a unique blend of swing styles at various tempos, this marvelous composition can certainly be a focal point of any festival or contest program. The scoring is varied and impeccable, and there is flexible space for solos as well as exciting full ensemble passages.SKU: HL7011680 -
Jazz Ensemble, Jazz Ensemble Grade: 4
Mofongo de Mama
“Mofongo” is a popular Puerto Rican menu item, and mama’s version must be a particularly spicy dish! Set in a moderate mambo style, this catchy tune cruises along with feature spots for the brass and alto saxes. Solo space is provided for any combination of alto, tenor or trumpet, and a short montuno section sets up the sizzling full ensemble chorus.SKU: HL07013470 -
Jazz Ensemble, Jazz Ensemble Grade: 4
Momcat Mambo
Explore the exciting world of “mambo” with this Michael Philip Mossman original commissioned by the Delavan-Darien (WI) H.S. Jazz Ensemble. A variety of moods and meters are used and there is solo space for dueling alto saxes, trombone and trumpet. The angular melody and quartal harmonies give this one a distinctive sound, ensuring that your players will have a ball.SKU: HL7011127 -
Jazz Ensemble, Jazz Ensemble Grade: 4
Nova Bossa
True to its title, this really is a “new” sounding bossa nova with creative harmonies, textures, and surprises. Michael takes the melody through various sections, along with solos for trumpet and alto sax, and of course, great-sounding full ensemble passages.SKU: HL7012111 -
Jazz Ensemble, Jazz Ensemble Grade: 4
Oclupaca
Michael Mossman uses a moderately fast Afro-Cuban style to craft this setting of Duke Ellington’s lesser-known work. This striking and fresh-sounding chart features tight harmonies and a driving rhythmic groove along with solo space for trombone, trumpet and your choice of sax. The unexpected shift in feel for the shout chorus will knock your socks off!SKU: HL7012009 -
Jazz Ensemble, Jazz Ensemble Grade: 4
Papiro
This sophisticated and highly infectious mambo is written in a moderate tempo and features solo space for trumpet and alto sax (flute part optional). Originally composed for the Mario Bauza Orchestra, the title refers to Mario’s dog, Piro (“Para Piro” in English is “For Piro”). It was ultimately recorded on a tribute album to Mario by the band Cubarama, produced by Paquito D’Rivera on Termidor Records. This new edition is completely re-edited and engraved with explicitly written out rhythm section parts. (Recorded by Cubarama)SKU: HL7011825 -
Jazz Ensemble, Jazz Ensemble Grade: 5
Partido Blue
Using a combination of the Brazilian styles Choro, Partido Alto, and Samba, Michael Mossman has crafted this substantial work for mature bands. Solos for alto, tenor and trumpet are intertwined with sizzling ensemble lines and punches. The drum and percussion parts are carefully notated to insure the proper interpretation.SKU: HL7011271 -
Jazz Ensemble, Jazz Ensemble Grade: 3.5
Quiet Nights of Quiet Stars (Corcovado) (Key: C)
Recorded by countless jazz artists ranging from Stan Getz and Astrud Gilberto to Miles Davis and Frank Sinatra, Jobim’s refined classic is a welcome addition on any program. This chart is sure to be a delight for any vocalist! (opt. tenor sax feature)SKU: HL7012872 -
Jazz Ensemble, Jazz Ensemble Grade: 4
Ran Kan Kan
Here is one of Tito Puente’s best known Latin production numbers and, in the hands of Latin master Michael Philip Mossman, this chart sets up an infectious and authentic groove that just does not let up. Includes solos for alto, tenor, trumpet and trombone as well as tight characteristic full ensemble punches. Skillfully done!SKU: HL07010690 -
Jazz Ensemble, Jazz Ensemble Grade: 4
Samba Kinda Mambo
Always the experimenter looking for new ideas and sounds, Michael Mossman has combined 2 Latin styles in this unique composition. Displaying a nice melodic sense and skill in orchestration, Michael writes interesting parts for all sections, and also includes a trumpet solo and trombone soli in this great-sounding chart.SKU: HL7011682 -
Jazz Ensemble, Jazz Ensemble Grade: 4
Sir Duke
In 1977 Stevie Wonder was in his prime and “Sir Duke” was on top of the charts. Michael Mossman takes this familiar hit and adds his own unique touch. The middle section goes into a double time swing and includes a solo for tenor sax, a soli for the saxes, and also a drum break. All the familiar lines from the original are still there too.SKU: HL7011893 -
Jazz Ensemble, Jazz Ensemble Grade: 5
Smoke Gets in Your Eyes
Arranged for Jon Faddis and the Carnegie Hall Jazz Band, Michael Mossman gives this longtime favorite an outstanding treatment in a moderately slow swing style. Using imaginative rhythmic and harmonic twists, some truly stunning full ensemble scoring, and also some hidden surprises, this arranging gem deserves a prominent spot on a festival or concert program.SKU: HL7011415 -
Jazz Ensemble, Jazz Ensemble Grade: 4
So What
Here is the Miles Davis jazz standard skillfully and uniquely arranged for 6 horns plus rhythm. The saxes take the signature melody line on the head, answered by the brass. The open solo section features tasty background figures, followed by a tutti ensemble section before returning to the head.SKU: HL7012455 -
Jazz Ensemble, Jazz Ensemble Grade: 4
Soul Sacrifice
Made famous at Woodstock back in 1969, Soul Sacrifice helped to put the group Santana in the mainstream of popular music. Interspersed with hot figures for the saxes and punches for the brass, you can use this exciting arrangement to feature your drummer and/or conga player. Also included are solos for alto sax and guitar.SKU: HL7011744 -
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Jazz Ensemble, Jazz Ensemble Grade: 5
St. Thomas
One of the most familiar Latin standards is given a complete facelift by Michael Mossman in this creative and impressive sounding arrangement. You’ll find harmonic wrinkles and rhythmic twists and turns amidst some really hot ensemble writing. A variety of solo opportunities are also provided.SKU: HL7011786
