banda de jazz
A mostrar 1249–1272 de 1553 resultados
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banda de jazz, nível 1.5 da banda de jazz
Sweet Georgia Brown
Although known primarily as the theme for the famed Harlem Globetrotters, this familiar standard has remained popular through the years with recordings by countless jazz artists. Here’s a fun version for young players featuring an infectious groove, melody in all parts, and a flexible solo section with sample written solos for all players.The Discovery Jazz Series features arrangements written for full band, playable with 3 saxes, 2 tpts., 1 tbn., rhythm section. Each arrangement includes optional parts for flute, clarinet, F horn and tuba and full length recordings available for each arrangement.SKU: HL07013726 -
banda de jazz, nível 1 da banda de jazz
Sweet Georgia Brown
Correlated to Unit 5 of Jazz Expressions™, Sweet Georgia Brown is a great jazz classic arranged by Mike Lewis at the easy level. The focus in this chart is on syncopation using easy rhythms, modest ranges, and clear articulation to provide an effective and consistent foundation for learning jazz. No improvised solos, only ensemble and section work in a traditional swing setting. Optional parts for flute, clarinet, horn, baritone horn, tuba, AND STRINGS – violin (2), viola, and cello. Wow!SKU: ALJEM03036 -
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banda de jazz, nível 3.5 da banda de jazz
Sweet Home Chicago(Key: F)
Made famous by the Blues Brothers, this arrangement for vocal soloist (opt. tenor sax) features a driving shuffle groove, along with the distinctive stop-time spots and classic background riffs. Definitely a fun chart anywhere, and not just Chicago!SKU: HL07013646 -
banda de jazz, nível 3 da banda de jazz
Sweet Lorraine
Show off the bass bone player! Featuring the bass trombone, master arranger Dave Wolpe has tailored this great tune to fit the grade 3 level for the band and the soloist while offering the challenges of a meaty chart. A written out solo is provided for the bass bone soloist and the lead trumpet range is written to G on top of the staff. Great chart! (2:40)
SKU: ALJEM05001 -
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banda de jazz, nível 5.5 da banda de jazz
Swingin’ for the Fences
Based on the changes to “Sweet Georgia Brown,” Swingin’ for the Fences can be fast or if you have the horses, really fast. In this Gordon Goodwin original, the solo section provides space for alto, tenor, trumpet, trombone, and piano or vibes. The title says it all when the full ensemble gets its wish – a rompin’, stompin’ tutti section that will put your band on the map. Optional parts provided for vibes, flute (2nd alto), and soprano sax (1st alto). A brilliant chart! As recorded on Gordon Goodwin’s Big Phat Band: Swingin’ for the Fences.SKU: ALJEM03001 -
banda de jazz, nível 5 da banda de jazz
Symphony in Riffs
Symphony In Riffs is Benny Carter’s most famous piece. Originally composed and arranged in the 1930’s for 4 reeds and 5 brass, Benny re-scored this version for a larger band some 50 years later. Benny was known for his idiomatic saxophone writing and this chart is a great example of that. Just when you think that the soli chorus at D is as good as his saxophone writing can get, he modulates and tops it with the brilliant new section at I. This is a transitional piece between the pre-swing of the 1920s and the mid-1930s swing.SKU: AL30564 -
banda de jazz, nível 1 da banda de jazz
T.M.I. (Too Much Information)
This Latin-rock original by Ralph Ford has a distinct Santana flavor. With a fresh sounding melody that could easily be a pop hit, Ralph has scored this one to sound full – even with reduced instrumentation – and the younger players will definitely hook into this tune. Written-out solos for piano and trombone are provided and the brass ranges are very accessible. This is a winner!SKU: ALJEM03043 -
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banda de jazz, nível 2 da banda de jazz
Take Five
Give Mike Lewis the most famous 5/4 tune ever written and tell him to arrange it for young jazz ensemble, and you have an instant hit. Mike has created a great opportunity for developing young jazz musicians to enjoy this Dave Brubeck standard. Great teaching material! (duration 3:15)
SKU: ALJE9701 -
banda de jazz, nível 2 da banda de jazz
Take Five
Perhaps the most famous time chart of all time, Take Five is in 5/4 but the rhythmic pattern is clear and consistent throughout. You’ll find this arrangement very accessible with easy alto sax and drum solos, and modest brass ranges. Recommended for every concert! (4:21)SKU: AL29819 -
banda de jazz, nível 3 da banda de jazz
Take Five
Yep, it’s in 4/4 not 5/4. A clever chart on a super classic that everyone will recognize, young or old. The bossa nova tempo is around 130 BPM and there are written suggested solos for piano and alto sax. Lead trumpet range is to written B-flat above the staff, and an interlude reoccurs to offer contrast. It all works great! “Take Five” has been skillfully arranged by John Zontek. (4:50)SKU: AL46164 -
banda de jazz, nível 1.5 da banda de jazz
Take on Me
The trumpets are in the spotlight in this easy version of the 1985 techno rock classic recorded by the group A-ha. Featuring an energetic rock groove throughout, this chart is solidly scored for the entire band, and no solos are required.SKU: HL7012996 -
banda de jazz, nível 1 da banda de jazz
Take the “A” Train
This chart swings all the way and is very playable by a young band. Arranger Vince Gassi captures the essence of this well-known Strayhorn composition made famous by Ellington, and scored it exactly right—not too difficult but with fun-to-play parts. It includes brief written solos for 1st alto sax and 1st trumpet and easy ranges with plenty of dynamics to teach. A superb chart you will play for years to come! (3:05)SKU: AL30614 -
banda de jazz, nível 4 da banda de jazz
Take the “A” Train
Think of Take the “A” Train with a contemporary flair and you have the idea behind this inventive chart by Alan Baylock. Opening up in a swing groove, then alternating with a funk feel, bari sax, bass ‘bone, guitar and bass have the initial melodic statement in this terrific chart. Solo space is available for alto sax 1, trombone 1, bari sax and trumpet 2, and the lead trumpet range is to written D, above the staff. A modern yet superb chart of a tune everyone knows. Festival material! (5:15)SKU: AL30644 -
banda de jazz, nível 5 da banda de jazz
Take the “A” Train
Frank Foster, leader and arranger for the Count Basie band, penned this version of the classic big band tune. Recreate that great Basie sound with your own ensemble, using the same chart they use. Wonderful sounds and great teaching material, too. (4:21)
SKU: ALJE9511 -
banda de jazz, nível 2.5 da banda de jazz
Take the “A” Train
Perhaps one of the most well-known jazz standards, check out this vocal with big band chart. At a swinging 152 BPM, the key is F and the vocal range is A below middle C to 3rd space C, treble clef. No instrumental solos, lead trumpet range is to G on top of the staff. Plus, there are optional solos instrumental parts for B-flat, E-flat and bass clef instruments in lieu of the vocal. A great tune, and great chart, it will be a hit for sure.SKU: AL40376 -
banda de jazz, nível 1.5 da banda de jazz
Take the “A” Train
Billy Strayhorn’s iconic jazz standard, recorded by Duke Ellington, is skillfully adapted in this easy version. From the trademark introduction, saxes on the main theme, and short written or ad lib. solos, this will sound great even with young players.The Discovery Jazz Series features arrangements written for full band, playable with 3 saxes, 2 tpts., 1 tbn., rhythm section. Each arrangement includes optional parts for flute, clarinet, F horn and tuba and full length recordings available for each arrangement.SKU: HL07013724 -
banda de jazz, nível 3.5 da banda de jazz
Talk Is Cheep
The chicken saga continues and it is FUNKY! This big band funk chart grooves at a tempo around 116 BPM. The energetic groove begins after the chorale intro. The saxes state the melody, joined by brass, then solos (written-out or ad lib) for tenor and trumpet 2, building up to a huge shout chorus. Lead trumpet range is to written A above the staff.SKU: AL38692 -
banda de jazz, nível 4 da banda de jazz
Tanganova
Leave it to Michael Mossman to combine two unique Latin styles (tango and bossa nova) into a single composition! The saxes take the lead on the sultry tango theme punctuated by the brass, then a trumpet soloist takes over when the bossa style kicks in. This is ingenious writing that really works!SKU: HL7011527 -
banda de jazz, nível 4 da banda de jazz
Tangerine
Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for trombone. A classic and unique take on a familiar standard.SKU: HL07013378
