ΠΠ°Π³Π°Π·ΠΈΠ½
ΠΡΠΎΠ±ΡΠ°ΠΆΠ΅Π½ΠΈΠ΅ 409–432 ΠΈΠ· 5741
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Π΄ΠΆΠ°Π·-Π±ΡΠ½Π΄, Π΄ΠΆΠ°Π·-Π±ΡΠ½Π΄ ΡΡΠΎΠ²Π΅Π½Ρ 1.5
Cissy Strut
Originally recorded by The Meters in 1969, Cissy Strut has since become a model for playing funk, recorded by both jazz and rock artists. The signature bass line is played by trombones, tenors and baritone sax, and the entire band joins in with the catchy riffs. There are short solo breaks for the bass and drums, along with solo or soli spots for saxes and trumpets.SKU: HL7012800 -
ΠΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ, ΠΠΎΠ½ΡΠ΅ΡΡΠ½ΡΠΉ Π΄ΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ ΡΡΠΎΠ²Π΅Π½Ρ 2
Climb Ev’ry Mountain (ΠΈΠ· ΡΠΈΠ»ΡΠΌΠ° “ΠΠ²ΡΠΊΠΈ ΠΌΡΠ·ΡΠΊΠΈ”) (Climb Ev’ry Mountain (from The Sound of Music))
ΠΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ, ΠΠΎΠ½ΡΠ΅ΡΡΠ½ΡΠΉ Π΄ΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ ΡΡΠΎΠ²Π΅Π½Ρ 2Climb Ev’ry Mountain (ΠΈΠ· ΡΠΈΠ»ΡΠΌΠ° “ΠΠ²ΡΠΊΠΈ ΠΌΡΠ·ΡΠΊΠΈ”) (Climb Ev’ry Mountain (from The Sound of Music))
ΠΡΠ° ΡΠΈΡΠΌΠ΅Π½Π½Π°Ρ ΠΏΠ΅ΡΠ½Ρ ΠΈΠ· ΡΠΏΠΎΡ Π°Π»ΡΠ½ΠΎΠ³ΠΎ ΠΌΡΠ·ΠΈΠΊΠ»Π° “ΠΠ²ΡΠΊΠΈ ΠΌΡΠ·ΡΠΊΠΈ” ΠΎΠ±Π»Π°Π΄Π°Π΅Ρ Π²Π΅ΡΠ½ΡΠΌ ΡΠΌΡΡΠ»ΠΎΠΌ ΠΈ Π½Π΅Π·Π°Π±ΡΠ²Π°Π΅ΠΌΡΠΌΠΈ ΠΌΠ΅Π»ΠΎΠ΄ΠΈΡΠΌΠΈ. ΠΡΠΊΡΡΠ½Π°Ρ Π°ΡΠ°Π½ΠΆΠΈΡΠΎΠ²ΠΊΠ° Π ΠΎΠ±Π΅ΡΡΠ° ΠΠΎΠ½Π³ΡΠΈΠ»Π΄Π° Π΄Π»Ρ ΠΎΡΠΊΠ΅ΡΡΡΠ° ΠΏΡΠΎΡΡΠ° Π² ΠΎΡΠ²ΠΎΠ΅Π½ΠΈΠΈ ΠΈ ΠΏΡΠΈ ΡΡΠΎΠΌ Π·Π²ΡΡΠΈΡ Π±ΠΎΠ³Π°ΡΠΎ ΠΈ Π²ΠΏΠ΅ΡΠ°ΡΠ»ΡΡΡΠ΅.SKU: HL04003952 -
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Π΄ΠΆΠ°Π·-Π±ΡΠ½Π΄, Π΄ΠΆΠ°Π·-Π±ΡΠ½Π΄ ΡΡΠΎΠ²Π΅Π½Ρ 3
Coconut Champagne
With an upbeat samba groove, everybody gets some action, and the classic Maynard Ferguson trumpet solo is harmonized for the trumpet section—in a playable range. There is a sax soli that can also be a solo for any sax. An optional percussion part will complete this package.SKU: AL36045 -
ΠΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ, ΠΠΎΠ½ΡΠ΅ΡΡΠ½ΡΠΉ Π΄ΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ ΡΡΠΎΠ²Π΅Π½Ρ 2.5
Codebreaker (Codebreaker)
ΠΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ, ΠΠΎΠ½ΡΠ΅ΡΡΠ½ΡΠΉ Π΄ΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ ΡΡΠΎΠ²Π΅Π½Ρ 2.5Codebreaker (Codebreaker)
ΠΠΎΠ³ΠΎΠ½Ρ ΠΏΡΠΎΠ΄ΠΎΠ»ΠΆΠ°Π΅ΡΡΡ! Π ΡΠ±Π΅Π΄ΠΈΡΠ΅Π»ΡΠ½ΠΎΠΌ ΡΡΠΈΠ»Π΅ ΠΊΠ»Π°ΡΡΠΈΡΠ΅ΡΠΊΠΎΠΉ ΡΠΏΠΈΠΎΠ½ΡΠΊΠΎΠΉ ΠΌΡΠ·ΡΠΊΠΈ Codebreaker ΠΏΠ΅ΡΠ΅Π½Π΅ΡΠ΅Ρ Π²Π°ΡΡ Π³ΡΡΠΏΠΏΡ Π² ΠΌΠΈΡ ΠΈΠ½ΡΡΠΈΠ³ ΠΈ ΡΠΏΠΈΠΎΠ½Π°ΠΆΠ°. Π₯ΠΎΡΡ Codebreaker Π½Π°ΠΏΠΈΡΠ°Π½ Π΄Π»Ρ ΠΌΠΎΠ»ΠΎΠ΄ΠΎΠ³ΠΎ ΠΎΡΠΊΠ΅ΡΡΡΠ°, Π΅Π³ΠΎ ΡΡΡΠ΅ΠΊΡΠΈΠ²Π½Π°Ρ ΠΎΡΠΊΠ΅ΡΡΡΠΎΠ²ΠΊΠ° ΠΏΡΠΈΠ΄Π°Π΅Ρ Π΅ΠΌΡ ΡΠ»ΠΎΠΆΠ½ΠΎΠ΅ Π·Π²ΡΡΠ°Π½ΠΈΠ΅ ΠΈ ΠΈΠ½ΡΠ΅Π½ΡΠΈΠ²Π½ΠΎΡΡΡ Π³ΠΎΡΠ°Π·Π΄ΠΎ Π±ΠΎΠ»Π΅Π΅ ΠΏΡΠΎΠ΄Π²ΠΈΠ½ΡΡΠΎΠ³ΠΎ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ. ΠΠ΅Π·ΠΎΡΡΠ°Π½ΠΎΠ²ΠΎΡΠ½Π°Ρ Π·Π°Ρ Π²Π°ΡΡΠ²Π°ΡΡΠ°Ρ ΠΏΠΎΠ΅Π·Π΄ΠΊΠ°, ΠΏΠΎΠ»Π½Π°Ρ Π½Π°ΠΏΡΡΠΆΠ΅Π½Π½ΠΎΡΡΠΈ ΠΈ ΠΏΡΠΈΠΊΠ»ΡΡΠ΅Π½ΠΈΠΉ! (Grade 2.5) ΠΡΠΎΠ΄ΠΎΠ»ΠΆΠΈΡΠ΅Π»ΡΠ½ΠΎΡΡΡ: 2:40SKU: HL04003462 -
ΠΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ, ΠΠΎΠ½ΡΠ΅ΡΡΠ½ΡΠΉ Π΄ΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ ΡΡΠΎΠ²Π΅Π½Ρ 3
Colditz March (Colditz March)
ΠΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ, ΠΠΎΠ½ΡΠ΅ΡΡΠ½ΡΠΉ Π΄ΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ ΡΡΠΎΠ²Π΅Π½Ρ 3Colditz March (Colditz March)
ΠΠ·Π²Π΅ΡΡΠ½ΡΠΉ ΠΊΠ°Π½Π°Π΄ΡΠΊΠΈΠΉ ΠΊΠΎΠΌΠΏΠΎΠ·ΠΈΡΠΎΡ ΠΈ Π°ΡΠ°Π½ΠΆΠΈΡΠΎΠ²ΡΠΈΠΊ Π ΠΎΠ±Π΅ΡΡ Π€Π°ΡΠ½ΠΎΠ½ Π½Π°ΠΏΠΈΡΠ°Π» ΡΡΡ Ρ Π°ΡΠ°ΠΊΡΠ΅ΡΠ½ΡΡ ΠΌΠ°ΡΡΠ΅Π²ΡΡ ΡΠ΅ΠΌΡ Π΄Π»Ρ ΡΠ΅Π»Π΅Π²ΠΈΠ·ΠΈΠΎΠ½Π½ΠΎΠ³ΠΎ ΡΠ΅ΡΠΈΠ°Π»Π° BBC 1970-Ρ Π³ΠΎΠ΄ΠΎΠ² Β«ΠΠΎΠ»ΡΠ΄ΠΈΡΒ», ΡΠ°ΡΡΠΊΠ°Π·ΡΠ²Π°ΡΡΠ΅Π³ΠΎ ΠΈΡΡΠΎΡΠΈΡ Π·Π°ΠΊΠ»ΡΡΠ΅Π½Π½ΡΡ , ΡΠΎΠ΄Π΅ΡΠΆΠ°Π²ΡΠΈΡ ΡΡ Π² Π·Π°ΠΌΠΊΠ΅ ΠΠΎΠ»ΡΠ΄ΠΈΡ Π² ΠΠ΅ΡΠΌΠ°Π½ΠΈΠΈ Π²ΠΎ Π²ΡΠ΅ΠΌΡ ΠΡΠΎΡΠΎΠΉ ΠΌΠΈΡΠΎΠ²ΠΎΠΉ Π²ΠΎΠΉΠ½Ρ. Π Π°ΡΡΠΈΡΠ΅Π½Π½Π°Ρ ΠΊΠΎΠ½ΡΠ΅ΡΡΠ½Π°Ρ Π²Π΅ΡΡΠΈΡ Π€ΠΈΠ»ΠΈΠΏΠ° Π‘ΠΏΠ°ΡΠΊΠ° ΠΌΠ°ΡΡΠ΅ΡΡΠΊΠΈ Π°ΡΠ°Π½ΠΆΠΈΡΠΎΠ²Π°Π½Π° Π΄Π»Ρ ΠΎΡΠΊΠ΅ΡΡΡΠ° ΠΈ ΡΡΠ°Π½Π΅Ρ ΡΠ»Π΅Π³Π°Π½ΡΠ½ΡΠΌ ΠΈ ΠΌΠΎΡΠ½ΡΠΌ Π΄ΠΎΠΏΠΎΠ»Π½Π΅Π½ΠΈΠ΅ΠΌ ΠΊ Π»ΡΠ±ΠΎΠΉ ΠΏΡΠΎΠ³ΡΠ°ΠΌΠΌΠ΅. ΠΡΠΎΠ΄ΠΎΠ»ΠΆΠΈΡΠ΅Π»ΡΠ½ΠΎΡΡΡ: 3:00SKU: HL4003882 -
ΠΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ, ΠΠΎΠ½ΡΠ΅ΡΡΠ½ΡΠΉ Π΄ΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ ΡΡΠΎΠ²Π΅Π½Ρ 3
Coldplay Π½Π° ΡΡΠ΅Π½Π΅ (Coldplay on Stage)
ΠΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ, ΠΠΎΠ½ΡΠ΅ΡΡΠ½ΡΠΉ Π΄ΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ ΡΡΠΎΠ²Π΅Π½Ρ 3Coldplay Π½Π° ΡΡΠ΅Π½Π΅ (Coldplay on Stage)
ΠΠ°Ρ Π²Π°ΡΡΠ²Π°ΡΡΠΈΠ΅ ΠΌΠ΅Π»ΠΎΠ΄ΠΈΠΈ ΠΈ Ρ Π°ΡΠ°ΠΊΡΠ΅ΡΠ½ΡΠΉ ΡΠΈΡΠΌΠΈΡΠ΅ΡΠΊΠΈΠΉ Π³ΡΡΠ² Ρ Π°ΡΠ°ΠΊΡΠ΅ΡΠΈΠ·ΡΡΡ ΠΌΡΠ·ΡΠΊΡ ΡΡΠΎΠΉ ΡΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΠΎΠΉ ΡΠΎΠΊ-Π³ΡΡΠΏΠΏΡ. ΠΠΊΠ»ΡΡΠ°Ρ Ρ ΠΈΡΡ “Clocks”, “Lost!” ΠΈ “Viva la Vida”, ΡΡΠΎ Π²Π΅Π»ΠΈΠΊΠΎΠ»Π΅ΠΏΠ½ΠΎ Π·Π²ΡΡΠ°ΡΠ΅Π΅ ΠΏΠΎΠΏΡΡΡΠΈ Π΄Π»Ρ ΠΊΠΎΠ½ΡΠ΅ΡΡΠ½ΠΎΠΉ ΡΡΠ΅Π½Ρ. ΠΠ»ΠΈΡΠ΅Π»ΡΠ½ΠΎΡΡΡ: 5:15SKU: HL04001197 -
Π΄ΠΆΠ°Π·-Π±ΡΠ½Π΄, Π΄ΠΆΠ°Π·-Π±ΡΠ½Π΄ ΡΡΠΎΠ²Π΅Π½Ρ 1.5
Come Fly with Me
Written for Frank Sinatra (and the title track of his 1958 album), this tune epitomizes the cool sounds of the swing era. Here’s a smartly scored version for beginning bands, written with modest ranges but still maintaining an authentic style. Included is plenty of tutti ensemble playing plus short solos (or soli) for sax and trumpet. A great way to teach swing.Enjoy great flexibility with the Discovery Jazz series! Playable with 3 saxes, 2 trumpets, 1 trombone, piano and drums; includes optional parts for flute, clarinet, F horn and tuba.SKU: HL7470765 -
Π΄ΠΆΠ°Π·-Π±ΡΠ½Π΄, Π΄ΠΆΠ°Π·-Π±ΡΠ½Π΄ ΡΡΠΎΠ²Π΅Π½Ρ 2
Come Fly with Me
Arranged in a comfortable medium swing style and featuring easy rhythms and ranges, this popular standard fits nicely in the easy level of the Little Big Band Series. Nice scoring for the entire ensemble, and no solos are required.SKU: HL07013896 -
Π΄ΠΆΠ°Π·-Π±ΡΠ½Π΄, Π΄ΠΆΠ°Π·-Π±ΡΠ½Π΄ ΡΡΠΎΠ²Π΅Π½Ρ 3
Come Fly with Me
Most notably recorded by Frank Sinatra, here is this familiar standard arranged effectively for younger bands. The style is an effortless-sounding medium swing, and this chart makes it enjoyable for listeners and players alike.SKU: HL2501478 -
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Π΄ΠΆΠ°Π·-Π±ΡΠ½Π΄, Π΄ΠΆΠ°Π·-Π±ΡΠ½Π΄ ΡΡΠΎΠ²Π΅Π½Ρ 4
Come On, Come Over
This funk classic from Jaco Pastorius naturally features a prominent role for the bass player. Skillfully arranged for full jazz ensemble, the back and forth riffs are traded between smaller groups within the band. Also featured is a solo for alto sax along with plenty of hard-hitting figures for the brass.SKU: HL7012557 -
ΠΌΠ°ΡΡΠΈΡΡΡΡΠΈΠΉ ΠΎΡΠΊΠ΅ΡΡΡ, ΠΌΠ°ΡΡΠΈΡΡΡΡΠΈΠΉ ΠΎΡΠΊΠ΅ΡΡΡ ΡΡΠΎΠ²Π΅Π½Ρ 3
Come Sail Away ΠΠ°ΠΏΠΈΡΠ°Π½ΠΎ Π³ΡΡΠΏΠΏΠΎΠΉ Styx (Come Sail Away Recorded by Styx)
ΠΌΠ°ΡΡΠΈΡΡΡΡΠΈΠΉ ΠΎΡΠΊΠ΅ΡΡΡ, ΠΌΠ°ΡΡΠΈΡΡΡΡΠΈΠΉ ΠΎΡΠΊΠ΅ΡΡΡ ΡΡΠΎΠ²Π΅Π½Ρ 3Come Sail Away ΠΠ°ΠΏΠΈΡΠ°Π½ΠΎ Π³ΡΡΠΏΠΏΠΎΠΉ Styx (Come Sail Away Recorded by Styx)
ΠΡΠΎΡ ΠΈΠ·Π²Π΅ΡΡΠ½ΡΠΉ Π³ΠΈΠΌΠ½ Π³ΡΡΠΏΠΏΡ STYX ΠΈΠ΄Π΅Π°Π»ΡΠ½ΠΎ ΠΏΠΎΠ΄Ρ ΠΎΠ΄ΠΈΡ Π΄Π»Ρ Π·Π°Π²Π΅ΡΡΠ°ΡΡΠ΅Π³ΠΎ Π½ΠΎΠΌΠ΅ΡΠ°. ΠΠ°ΡΠ°Π²ΡΠΈΡΡ ΡΠΈΡ ΠΎ Ρ ΡΠΎΠ»ΠΎ Π½Π° ΡΡΡΠ±Π΅, Π°ΡΠ°Π½ΠΆΠΈΡΠΎΠ²ΠΊΠ° Π·Π°ΡΠ΅ΠΌ ΠΏΠ»Π°Π²Π½ΠΎ ΠΏΠ΅ΡΠ΅Ρ ΠΎΠ΄ΠΈΡ Π² Π·Π½Π°ΠΊΠΎΠΌΡΠΉ Π±ΡΡΡΡΡΠΉ ΠΏΡΠΈΠΏΠ΅Π², ΠΊΠΎΡΠΎΡΡΠΉ Π°Π½ΡΠ°ΠΌΠ±Π»Ρ ΠΈΡΠΏΠΎΠ»Π½ΡΠ΅Ρ Π½Π° ΠΏΠΎΠ»Π½ΡΡ ΠΌΠΎΡΠ½ΠΎΡΡΡ. ΠΠ΅Π»ΠΈΠΊΠΎΠ»Π΅ΠΏΠ½ΠΎΠ΅ Π·Π°Π²Π΅ΡΡΠ΅Π½ΠΈΠ΅!SKU: HL3744949 -
Π΄ΠΆΠ°Π·-Π±ΡΠ½Π΄, Π΄ΠΆΠ°Π·-Π±ΡΠ½Π΄ ΡΡΠΎΠ²Π΅Π½Ρ 3
Comfort and Joy
A superb holiday swinger at around 180 BPM. The melody is generously passed around the ensemble to keep everyone happy, plus there is written-out solo space for tenor, alto, piano and some drum fills, too. Lead trumpet range is to written B-flat above the staff and includes an optional vibe part. An excellent chart! (3:14)SKU: AL41128 -
Π΄ΠΆΠ°Π·-Π±ΡΠ½Π΄, Π΄ΠΆΠ°Π·-Π±ΡΠ½Π΄ ΡΡΠΎΠ²Π΅Π½Ρ 4
Compared To What
Composed by Gene McDaniels in the ’60s, this soulful funk tune has been recorded by a number of artists, notably Les McCann & Eddie Harris, Ray Charles, and Al Jarreau. John Wasson’s version for big band features a churning groove and nice interplay between various sections of the band. Suggested soloist is alto sax, but the solo section can be adapted for any instrument.SKU: HL7013058 -
Π΄ΠΆΠ°Π·-Π±ΡΠ½Π΄, Π΄ΠΆΠ°Π·-Π±ΡΠ½Π΄ ΡΡΠΎΠ²Π΅Π½Ρ 4
Con Alma
β’ Arrangements of classic tunes and jazz standardsβ’ Scored for 4 horns with flexible instrumentation, plus rhythm sectionβ’ Background figures and ensemble soli sectionsβmore than just βhead chartsββ’ Recordings include separate βrhythm section onlyβ tracksAfro-Cuban style using even 8ths and a moderate tempo.
SKU: HL7013250 -
ΠΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ, ΠΠΎΠ½ΡΠ΅ΡΡΠ½ΡΠΉ Π΄ΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ ΡΡΠΎΠ²Π΅Π½Ρ 3
Con Brio
ΠΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ, ΠΠΎΠ½ΡΠ΅ΡΡΠ½ΡΠΉ Π΄ΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ ΡΡΠΎΠ²Π΅Π½Ρ 3Con Brio
ΠΡΠΎ ΠΎΡΠΈΠ³ΠΈΠ½Π°Π»ΡΠ½ΠΎΠ΅ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅, Π½Π°ΠΏΠΈΡΠ°Π½Π½ΠΎΠ΅ Π² ΡΡΠ°Π΄ΠΈΡΠΈΠΎΠ½Π½ΠΎΠΉ, ΠΈΠ»ΠΈ ΡΡΠ°Π½Π΄Π°ΡΡΠ½ΠΎΠΉ, ΡΠΎΡΠΌΠ΅ ΠΌΠ°ΡΡΠ°, ΠΎΠ±Π»Π°Π΄Π°Π΅Ρ Π²ΡΠ΅ΠΌΠΈ Π²ΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎΡΡΡΠΌΠΈ Π΄Π»Ρ ΡΠ°Π·Π½ΠΎΠΎΠ±ΡΠ°Π·Π½ΠΎΠ³ΠΎ ΠΈΡΠΏΠΎΠ»Π½Π΅Π½ΠΈΡ, ΠΊΠΎΡΠΎΡΡΠ΅ Π΅ΡΡΡ Π² Π·Π½Π°ΠΌΠ΅Π½ΠΈΡΡΡ ΠΌΠ°ΡΡΠ°Ρ Π‘ΠΎΡΠ·Ρ. Π ΡΡΠΈΠΎ-ΡΠ΅ΠΊΡΠΈΠΈ Π·Π²ΡΡΠΈΡ ΠΌΠ΅Π»ΠΎΠ΄ΠΈΡ ΠΈΠ· ΠΏΠ΅ΡΠ½ΠΈ “ΠΠ»Π΅Π½ΠΎΠ²ΡΠΉ Π»ΠΈΡΡ Π½Π°Π²ΡΠ΅Π³Π΄Π°”, ΡΡΠΎ Π²ΠΏΠΎΠ»Π½Π΅ ΡΠΌΠ΅ΡΡΠ½ΠΎ, ΠΏΠΎΡΠΊΠΎΠ»ΡΠΊΡ ΠΌΠ°ΡΡ Π±ΡΠ» Π·Π°ΠΊΠ°Π·Π°Π½ ΠΈ ΠΏΡΠ΅Π·Π΅Π½ΡΠΎΠ²Π°Π½ Π½Π° ΡΠ΅ΡΡΠΈΠ²Π°Π»Π΅ Con Brio Π² ΠΡΠΈΡΠ°Π½ΡΠΊΠΎΠΉ ΠΠΎΠ»ΡΠΌΠ±ΠΈΠΈ. ΠΡΠΎ Π½ΠΎΠ²ΡΠΉ Π±Π»Π΅ΡΡΡΡΠΈΠΉ ΠΎΡΠΈΠ³ΠΈΠ½Π°Π»ΡΠ½ΡΠΉ ΠΌΠ°ΡΡ Π² ΡΡΠΈΠ»Π΅, ΠΊΠΎΡΠΎΡΡΠΉ Π»Π΅ΠΆΠΈΡ Π² ΠΎΡΠ½ΠΎΠ²Π΅ ΠΈΡΠΊΡΡΡΡΠ²Π° ΠΡΡ ΠΎΠ²ΠΎΠ³ΠΎ ΠΎΡΠΊΠ΅ΡΡΡΠ°. ΠΠΎΠ΄ΡΡΠΉ ΠΈ ΡΠ½Π΅ΡΠ³ΠΈΡΠ½ΡΠΉ Π²ΡΠ±ΠΎΡ! (3:00)SKU: AL38372 -
Π‘ΡΡΡΠ½Π½ΡΠΉ ΠΎΡΠΊΠ΅ΡΡΡ, Π‘ΡΡΡΠ½Π½ΡΠΉ ΠΎΡΠΊΠ΅ΡΡΡ ΡΡΠΎΠ²Π΅Π½Ρ 3
Con Te Partiro
ΠΠ½Π°ΠΌΠ΅Π½ΠΈΡΠ°Ρ ΠΏΠ΅ΡΠ½Ρ ΠΠ½Π΄ΡΠ΅Π° ΠΠΎΡΠ΅Π»Π»ΠΈ ΡΡΠ°Π»Π° ΠΌΠ΅ΠΆΠ΄ΡΠ½Π°ΡΠΎΠ΄Π½ΡΠΌ Ρ ΠΈΡΠΎΠΌ ΠΈ ΠΏΠΎΠ»ΡΠ·ΡΠ΅ΡΡΡ Π±ΠΎΠ»ΡΡΠΎΠΉ ΠΏΠΎΠΏΡΠ»ΡΡΠ½ΠΎΡΡΡΡ Ρ Π²ΡΠ΅Ρ ΡΠ»ΡΡΠ°ΡΠ΅Π»Π΅ΠΉ. ΠΠ°Ρ ΡΡΡΡΠ½Π½ΡΠΉ ΠΎΡΠΊΠ΅ΡΡΡ ΠΏΠΎ Π΄ΠΎΡΡΠΎΠΈΠ½ΡΡΠ²Ρ ΠΎΡΠ΅Π½ΠΈΡ Π°ΡΠ°Π½ΠΆΠΈΡΠΎΠ²ΠΊΡ Π’Π΅Π΄Π° Π ΠΈΠΊΠ΅ΡΡΡΠ°, ΠΊΠΎΡΠΎΡΠ°Ρ ΠΏΠ΅ΡΠ΅Π΄Π°Π΅Ρ ΡΠΌΠΎΡΠΈΠΈ ΠΈ ΠΌΡΠ·ΡΠΊΠ°Π»ΡΠ½ΡΡ ΡΡΠ²ΡΡΠ²Π΅Π½Π½ΠΎΡΡΡ ΡΡΠΎΠΉ Π·Π°ΠΏΠΎΠΌΠΈΠ½Π°ΡΡΠ΅ΠΉΡΡ ΠΏΠ΅ΡΠ½ΠΈ.SKU: HL4490344 -
Π΄ΠΆΠ°Π·-Π±ΡΠ½Π΄, Π΄ΠΆΠ°Π·-Π±ΡΠ½Π΄ ΡΡΠΎΠ²Π΅Π½Ρ 5
Conception
Featuring a quartet of alto, trumpet, guitar and vibes at the top, Mark’s stellar treatment of this George Shearing classic swings hard from beginning to end. The intricate bebop lines are skillfully woven throughout, and there are solo spots for trumpet and alto. Also included is an unaccompanied brass statement and ample opportunities for the saxes to shine.SKU: HL7012491 -
ΠΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ, ΠΠΎΠ½ΡΠ΅ΡΡΠ½ΡΠΉ Π΄ΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ ΡΡΠΎΠ²Π΅Π½Ρ 4
Confluence (Allegheny Lament & Dance of the Monongahela) (Confluence (Allegheny Lament & Dance of the Monongahela))
ΠΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ, ΠΠΎΠ½ΡΠ΅ΡΡΠ½ΡΠΉ Π΄ΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ ΡΡΠΎΠ²Π΅Π½Ρ 4Confluence (Allegheny Lament & Dance of the Monongahela) (Confluence (Allegheny Lament & Dance of the Monongahela))
Π ΡΠ΅Π½ΡΡΠ΅ ΠΠΈΡΡΡΠ±ΡΡΠ³Π° ΡΠ΅ΠΊΠΈ ΠΠ»Π»Π΅Π³Π΅Π½ΠΈ ΠΈ ΠΠΎΠ½ΠΎΠ½Π³Π°Ρ Π΅Π»Π° ΡΠ»ΠΈΠ²Π°ΡΡΡΡ Π²ΠΎΠ΅Π΄ΠΈΠ½ΠΎ ΠΈ ΠΎΠ±ΡΠ°Π·ΡΡΡ ΡΠ΅ΠΊΡ ΠΠ³Π°ΠΉΠΎ. ΠΡΠΎ ΡΠ»ΠΈΡΠ½ΠΈΠ΅ ΠΌΠΎΠ³ΡΡΠΈΡ Π²ΠΎΠ΄Π½ΡΡ Π°ΡΡΠ΅ΡΠΈΠΉ ΠΏΠΎΡΠ»ΡΠΆΠΈΠ»ΠΎ Π²Π΄ΠΎΡ Π½ΠΎΠ²Π΅Π½ΠΈΠ΅ΠΌ Π΄Π»Ρ ΡΠΎΠ·Π΄Π°Π½ΠΈΡ ΡΡΠΎΠ³ΠΎ Π΄ΠΈΠ½Π°ΠΌΠΈΡΠ½ΠΎΠ³ΠΎ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ Π΄Π»Ρ ΠΎΡΠΊΠ΅ΡΡΡΠ°. Π‘ΡΡΠ°ΡΡΠ½ΠΎΠ΅ “ΠΏΡΠΈΡΠΈΡΠ°Π½ΠΈΠ΅” ΡΠΎΠ΄Π΅ΡΠΆΠΈΡ Π²ΡΡΠ°Π·ΠΈΡΠ΅Π»ΡΠ½ΡΠ΅ ΠΌΠ΅Π»ΠΎΠ΄ΠΈΡΠ΅ΡΠΊΠΈΠ΅ Π»ΠΈΠ½ΠΈΠΈ, Π·Π° Π½ΠΈΠΌ ΡΠ»Π΅Π΄ΡΠ΅Ρ “ΡΠ°Π½Π΅Ρ”, Π² ΠΊΠΎΡΠΎΡΠΎΠΌ ΠΈΡΠΏΠΎΠ»ΡΠ·ΡΡΡΡΡ ΡΠΌΠ΅ΡΠ°Π½Π½ΡΠ΅ ΠΌΠ΅ΡΡΡ ΠΈ Π½Π΅ΡΡΡΠ°Π½Π½ΡΠΉ ΠΎΡΠ½ΠΎΠ²Π½ΠΎΠΉ ΠΏΡΠ»ΡΡ. ΠΠ»ΠΈΡΠ΅Π»ΡΠ½ΠΎΡΡΡ: 3:15SKU: HL04002999 -
Π΄ΠΆΠ°Π·-Π±ΡΠ½Π΄, Π΄ΠΆΠ°Π·-Π±ΡΠ½Π΄ ΡΡΠΎΠ²Π΅Π½Ρ 1
Contents Under Pressure
Here’s a funky rock chart by Vince Gassi called “Contents Under Pressure” for young band. It’s played at 120 BPM and features a written solo for tenor sax, accessible brass ranges, a catchy melody, clear articulation, and optional parts to include flute, clarinet, and vibraphone. (3:00)SKU: AL45064 -
ΠΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ, ΠΠΎΠ½ΡΠ΅ΡΡΠ½ΡΠΉ Π΄ΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ ΡΡΠΎΠ²Π΅Π½Ρ 1
Contredanse
ΠΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ, ΠΠΎΠ½ΡΠ΅ΡΡΠ½ΡΠΉ Π΄ΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ ΡΡΠΎΠ²Π΅Π½Ρ 1Contredanse
Π‘Π΅Π³ΠΎΠ΄Π½Ρ ΠΌΡ ΠΈΠΌΠ΅Π΅ΠΌ “Π»ΠΈΠ½Π΅ΠΉΠ½ΡΠΉ ΡΠ°Π½Π΅Ρ”, ΠΊΠΎΡΠΎΡΡΠΉ Π½Π° ΡΠ°ΠΌΠΎΠΌ Π΄Π΅Π»Π΅ Π½Π΅ ΡΠ»ΠΈΡΠΊΠΎΠΌ ΠΎΡΠ»ΠΈΡΠ°Π΅ΡΡΡ ΠΎΡ “ΠΊΠΎΠ½ΡΡΠ΄Π°Π½ΡΠ°” ΠΈΠ»ΠΈ Π΄Π΅ΡΠ΅Π²Π΅Π½ΡΠΊΠΎΠ³ΠΎ ΡΠ°Π½ΡΠ° ΠΊΠΎΠ½ΡΠ° XVIII Π²Π΅ΠΊΠ°. ΠΡΠ·ΡΠΊΠ°, ΡΠΎΠΏΡΠΎΠ²ΠΎΠΆΠ΄Π°ΡΡΠ°Ρ ΡΡΡ ΡΡΠ°Π½ΡΡΠ·ΡΠΊΡΡ ΡΠ°Π½ΡΠ΅Π²Π°Π»ΡΠ½ΡΡ ΡΠΎΡΠΌΡ, Π±ΡΠ»Π° Π½Π°ΠΏΠΈΡΠ°Π½Π° Π²ΠΎΡΡΠΌΠΈΠΌΠ΅ΡΡΠΎΠ²ΡΠΌΠΈ ΡΡΠ°Π·Π°ΠΌΠΈ, ΠΏΠΎΠ²ΡΠΎΡΡΡΡΠΈΠΌΠΈΡΡ ΡΠ½ΠΎΠ²Π° ΠΈ ΡΠ½ΠΎΠ²Π°. ΠΠΎΠΌΠΏΠΎΠ·ΠΈΡΠΎΡ ΠΠ°ΡΡΠΈ ΠΠ»Π°ΡΠΊ ΠΏΠ΅ΡΠ΅Π΄Π°Π΅Ρ Π½Π°ΠΌ Π°ΡΠΎΠΌΠ°Ρ Π΄ΡΡΠ³ΠΎΠΉ ΡΠΏΠΎΡ ΠΈ Ρ Π±ΠΎΠ»Π΅Π΅ ΡΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΠΎΠΉ Π³Π°ΡΠΌΠΎΠ½ΠΈΡΠ΅ΡΠΊΠΎΠΉ ΡΡΡΡΠΊΡΡΡΠΎΠΉ. ΠΡΠ΅Π½Ρ ΡΠ΅ΡΡΠ΅Π·Π½ΠΎ ΠΎΡΠ½Π΅ΡΠΈΡΠ΅ΡΡ ΠΊ ΡΡΠΎΠΉ ΡΠ»ΠΎΠΆΠ½ΠΎΠΉ, Π½ΠΎ Π² ΡΠΎ ΠΆΠ΅ Π²ΡΠ΅ΠΌΡ ΠΏΡΠΈΠ²Π»Π΅ΠΊΠ°ΡΠ΅Π»ΡΠ½ΠΎΠΉ Π΄Π»Ρ ΡΠ»ΡΡΠ°ΡΠ΅Π»Π΅ΠΉ Π½ΠΎΠ²ΠΎΠΉ ΡΠ°Π±ΠΎΡΠ΅ Π΄Π»Ρ Π²Π°ΡΠ΅Π³ΠΎ ΠΡΡ ΠΎΠ²ΠΎΠ³ΠΎ ΠΎΡΠΊΠ΅ΡΡΡΠ° ΠΈΠ»ΠΈ Π΄ΡΡ ΠΎΠ²ΠΎΠ³ΠΎ Π°Π½ΡΠ°ΠΌΠ±Π»Ρ. (2:24)
SKU: ALBD9857 -
Π΄ΠΆΠ°Π·-Π±ΡΠ½Π΄, Π΄ΠΆΠ°Π·-Π±ΡΠ½Π΄ ΡΡΠΎΠ²Π΅Π½Ρ 3
Cool (from West Side Story)
From one of the most famous musicals of all time, here is the swingin’ and aptly titled βCool.β Mark’s version for young players remains true to the original but adds a touch of contemporary flair with the melody passed from section to section and solo space for trumpet. Timeless!SKU: HL450147