爵士樂團 5級
顯示第 49 至 72 項結果,共 118 項
-
爵士樂團, 爵士樂團 5級
Hunting Wabbits 2 (A Bad Hare Day)
Challenging, yes, impossible, no. Gordon Goodwin’s Hunting Wabbits 2 will provide all the challenge any band needs as they explore this tongue-in-cheek musical adventure that is well worth the effort. The groove is straight eighths (semi-legit) and funky. The instrumentation is flexible: saxophone parts with woodwind doubles, sax parts without doubles, and even optional string parts . . . yes, strings! Percussion parts included. Solo space for all saxes, trumpet 4 and trombones 1/2. As recorded by Gordon Goodwin on The Phat Pack CD. This is an amazing arrangement!SKU: AL26891 -
爵士樂團, 爵士樂團 5級
I Just Called to Say I Love You (Key: B-flat)
Originally recorded in 1984 by Stevie Wonder, here is a smooth version in a cha-cha style that provides a very appealing setting for vocalist. Michael uses some harmonic twists and turns, interesting and creative background figures, and includes solo space for trumpet.SKU: HL7012223 -
爵士樂團, 爵士樂團 5級
I Love Being Here with You (Key: Db)(Vocal Solo with Big Band)
Originally recorded by Peggy Lee in 1960, this upbeat swinger exudes a great message and positive energy. Perfect for a singer to add their own personality and connect with the audience. John Clayton’s standout arrangement was recorded by Queen Latifah on her album Trav’lin’ Light.SKU: HL7012926 -
爵士樂團, 爵士樂團 5級
I Mean Monk
Jazz great Thelonious Monk composed so many classic tunes, and this creative powerhouse of a chart includes snippets of sixteen of them! Challenge your audience (and your players) to find them all as they are tucked in around background figures and countermelodies. Based on the chord progression of Monk’s “I Mean You,” Antonio’s skillful work is an absolute clinic for the melodic genius of this jazz master.SKU: HL7012127 -
-
爵士樂團, 爵士樂團 5級
Inner Urge
Composed by jazz legend Joe Henderson, this uptempo burner from Mark Taylor features a mesmerizing groove and masterful scoring. Opening with a trio of tenor, guitar and vibes, layers of sound are gradually added to create a powerhouse effect. Includes solo space for tenor and feature spots for the brass section and saxes.(Recorded by the University of North Texas 2:00 Lab Band – Jay Saunders, director)SKU: HL7012189 -
爵士樂團, 爵士樂團 5級
Jeep’s Blues
Jeep’s Blues is one of many blues lines written by Ellington’s star alto saxophonist Johnny Hodges. This one was for an Ellington small group recording under Hodges’ name in the late 1930’s. It’s basically just the first 4 bars of the blues and then Hodges improvises the rest of the 12-bar form. Ellington’s later big band arrangement is a very simple enlargement of that original 4-horn chart. There are 2 ensemble choruses, 2 solo choruses, 2 sax section choruses ending with a stride piano cadence. The opening is a loud and glorious ensemble; the closing is a soft and introspective sax section.SKU: AL30561 -
-
爵士樂團, 爵士樂團 5級
Little Flamenco
Recorded by Chick Corea and Origin on the CD “Change,” this high-energy syncopated number is filled with intricate melodies and creative harmonies. This challenging arrangement will stretch your players a bit but provide a valuable and rewarding performance experience. (Boosey & Hawkes)SKU: HL48019471 -
爵士樂團, 爵士樂團 5級
Love Chant
Recorded by the Mingus Big Band on the CD Que Viva Mingus!, this stellar Steve Slagle arrangement takes the band through an extended modal format, while always swingin’! With a unique blend of group improvisation, full ensemble passages, and solo space for trombone, tenor sax and trumpet, this medium tempo chart is another standout from this iconic contemporary big band.SKU: HL7012001 -
爵士樂團, 爵士樂團 5級
Lullaby of Birdland
Arranged in a medium up-tempo swing style and featuring an alto sax soloist at the top, here is a fabulous setting of this jazz standard for mature bands. Also featured is an extended sax soli with flugelhorn doubling the lead, as well as answers from the brass and shout sections for the entire band. Destined to become a staple in the repertoire.SKU: HL7011784 -
爵士樂團, 爵士樂團 5級
Lulu’s Left Town
This sparkling uptempo swinger from the pen of Mark Taylor is impressive right from the opening full ensemble statement, and it doesn’t let up from there. Small ensemble playing is beautifully contrasted with full band writing, and solo space is included for guitar, trumpet and drums. A sax soli, shout chorus, and even some group improvisation round out this impressive offering!SKU: HL7011929 -
爵士樂團, 爵士樂團 5級
Mia’s Lamplight Foxtrot
Utilizing a unique blend of swing styles at various tempos, this marvelous composition can certainly be a focal point of any festival or contest program. The scoring is varied and impeccable, and there is flexible space for solos as well as exciting full ensemble passages.SKU: HL7011680 -
爵士樂團, 爵士樂團 5級
Mid-Riff
Introducing, Mid-Riff, composed and arranged by Billy Strayhorn! A medium up-swing at 164 BPM, this chart was originally recorded by Duke Ellington. It’s been edited and transcribed by Jeff Lindberg to exacting specifications to include all solos by the Ellington band members.
SKU: AL42591 -
爵士樂團, 爵士樂團 5級
Mokopuni Magic(Island Magic)
Reminiscent of the music Mark Taylor wrote for the Stan Kenton Orchestra, this fiery showpiece features a churning Afro-Cuban groove alternating with sections in swing. Small group scoring is contrasted with full ensemble passages, and you’ll need a few additional percussionists to fill out the Latin sound! Includes solos for alto sax and guitar.SKU: HL07013438 -
爵士樂團, 爵士樂團 5級
Moon over Cuba
Juan Tizol’s Moon Over Cuba started life with the title of Puerto Rican Girl. Although the copyright date is 1939, the only performance of this piece is the Victor recording from 1941. This obscure piece never achieved the mild popularity of Ellington’s other 2 Latin masterpieces of that era- Conga Brava and Flaming Sword, but don’t sell this gem short just because you never heard of it.SKU: AL30562 -
爵士樂團, 爵士樂團 5級
Movin’ Uptown
Although Movin’ Uptown has some technical difficulties (range and tempo), it shouldn’t present too much of a musical challenge for your students. The style and content are very similar to a number of Sammy Nest pieces that high school and college bands regularly perform. Since this is an up-tempo flag-waver, Benny Carter chose to use a 64-bar AABA song form instead of the usual 32, which keeps each chorus at a length of one minute. Each A section consists of and a and a b, and the B section also are split in 2 8-bar sections.SKU: AL30565 -
-
爵士樂團, 爵士樂團 5級
Palladium
Recorded in 1977 on the album Heavy Weather, “Palladium” is a jazz fusion staple from the ground-breaking group Weather Report. Wayne Shorter’s dynamic composition is orchestrated here for full jazz ensemble with some added touches from master arranger Mike Tomaro. The open solo section allows anyone to be featured.SKU: HL07013372 -
爵士樂團, 爵士樂團 5級
Partido Blue
Using a combination of the Brazilian styles Choro, Partido Alto, and Samba, Michael Mossman has crafted this substantial work for mature bands. Solos for alto, tenor and trumpet are intertwined with sizzling ensemble lines and punches. The drum and percussion parts are carefully notated to insure the proper interpretation.SKU: HL7011271 -
爵士樂團, 爵士樂團 5級
Peaceful Thunder
Challenge your group with this swinger including a samba bridge! Features include solo space for tenor and/or optional trumpet, some great drum fill space, a nice sax soli, and lead trumpet to high D with one high E. This is a super concert opener or closer!
SKU: AL36066 -
爵士樂團, 爵士樂團 5級
Pentonsilic
One of Strayhorns finest works, Billy’s original score of “Pentonsilic” has been edited by Jeff Lindberg. The tempo is bright at 208 BPM and there is clarinet on the tenor 1 part to include solo space. Add a very nice written bari sax solo, a few meter changes, and you’ve got an a meaty arrangement at a high level. A brilliant and creative orchestration.
SKU: AL43707