爵士樂團 3級
顯示第 16 至 30 項結果,共 237 項
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爵士樂團, 爵士樂團 3級
Bim-Bom
Composed in the mid 1950s, Bim-Bom is considered the very first bossa nova! Notably recorded by artists such as Sergio Mendes, Astrud Gilberto, and Stan Getz, Roger’s version of this familiar standard features an upbeat, yet elegant Latin groove along with the smooth melodies and rich harmonies of the original. Solo space is provided for tenor sax and trumpet.SKU: HL7012329 -
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爵士樂團, 爵士樂團 3級
Birk’s Works
This classic minor blues by Dizzy Gillespie is arranged here in a comfortable medium swing style. A small group is featured at the top using the distinctive stylings and articulations of the original recording. Nice passages for the full ensemble are also featured, along with solo space for trumpet and tenor sax.SKU: HL7013158 -
爵士樂團, 爵士樂團 3級
Blues for You
There’s no better jazz form for aspiring soloists than the blues! Here’s a great-sounding original from the pen of Mark Taylor written in a medium tempo with as nice swing feel. Saxes take the lead to start out followed by answers in the brass, and a brief ensemble shout at the end. The solo section is open for encouraging even shy students to give it a try.SKU: HL07013906 -
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爵士樂團, 爵士樂團 3級
Buckjump
Recorded by Trombone Shorty on his 2011 album For True and featuring Rebirth Brass Band and 5th Ward Weebie, this hot tune has a funky New Orleans style groove with a moderate tempo and catchy riffs. The trombones get the spotlight to start with, followed by tight ensemble playing and later space for a trombone soloist.SKU: HL7012700 -
爵士樂團, 爵士樂團 3級
Bye Bye Birdie (w/ opt. vocal)(Compatible with original pit orchestration)
The title song from the hit Broadway music Bye Bye Birdie features an upbeat early rock ‘n’ roll style and catchy melody. This arrangement can be performed with or without a vocalist, and has the added feature of being completely compatible with the pit orchestration for the stage production!SKU: HL7011344 -
爵士樂團, 爵士樂團 3級
C-Jam Blues
Here is a creative new take on the Duke Ellington favorite, set in a New Orleans “street beat” style. A piano introduction sets up the groove, then a small group takes the initial statement of the theme. The rest of the ensemble enters with a counter line before the full ensemble launches the solo section, which is designed to feature any number of soloists. Unique and effective!SKU: HL7012113