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649โ672/3834๊ฐ ๊ฒฐ๊ณผ ํ์
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I Believe I Can Fly
Featured in the hit movie Space Jam (starring Michael Jordan and Bugs Bunny) this hit by R. Kelly has become an enduring pop ballad. Including solos for piano and alto sax, this is a great choice for change of pace programming for jazz ensemble.SKU: HL7011494 -
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I Can’t Believe That You’re in Love with Me
Jazz vocal quartets/groups are happening! Feature a soloist, vocal quartet or SATB choir with your jazz ensemble! A medium-swing arrangement by Darmon Meader, the musical director and chief arranger of the sensational jazz vocal group, New York Voices, this was arranged for the New York Voices with jazz ensemble. The solo vocal range is from G below middle C up to F top line, treble clef. Lead trumpet range is to high D above the staff. This chart includes the jazz band arrangement, four copies of the SATB part and an optional arrangement for vocal soloist. To perform with a choir, purchase additional SATB parts (item number 00-31002). (4:10)SKU: AL30660 -
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I Can’t Get Started
A classic trumpet solo arranged in a more contemporary style by Victor Goines. Correlated to the Jazz for Young People curriculum by Jazz at Lincoln Center. A written out solo is provided and the solo 2nd trumpet part range it to written F-sharp on the top line. Lead trumpet range is to written G-sharp above the staff. An effective chart for every library.SKU: AL24870 -
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I Can’t Help It
Written by Stevie Wonder and recorded by Michael Jackson on his 1979 album Off the Wall, this familiar hit is treated here in a creative version for jazz ensemble. Incorporating the jazz-influenced harmonies of the original along with a light samba groove, this is sure to become a favorite with your players and audience alike.SKU: HL7012135 -
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I Can’t Turn You Loose
A trademark tune of the Blues Brothers, here’s an exciting arrangement for young players that cooks from beginning to end. Short and sweet, this makes a perfect concert opener.Enjoy great flexibility with the Easy Jazz Ensemble series! Playable with 4 saxes, 3 trumpets, 3 trombones and rhythm.SKU: HL7011427 -
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I Could Write a Book
Have a jazz vocal group or quartet? Here is a stunning chart arranged by Darmon Meader, the musical director and chief arranger of the jazz vocal group, New York Voices. I Could Write a Book is scored for SATB and jazz ensemble and includes a solo female/solo male part for added flexibility. The vocal quartet arrangement and the jazz ensemble chart are both superb. Solo vocal ranges: female part—G below middle C to top space E; male—D below middle C to G above treble staff. Check out this outstanding chart! (4:43)SKU: AL29810 -
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I Dreamed a Dream (from Les Misรฉrables)
Here’s the touching ballad from the landmark musical (and recent motion picture) Les Misรฉrables in a nicely paced and solidly scored arrangement for young jazz ensembles. A beautiful change of pace for any occasion.SKU: HL7012073 -
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I Got Rhythm
A jazz ensemble essential! George Gershwin’s song is the foundation for hundreds of jazz tunes, with the use of the chord progression becoming known as “‘Rhythm’ changes.” I GOT RHYTHM is the “real McCoy,” arranged here for your first year jazz ensemble by Ralph Ford. Ralph has the experience and know-how to score for this level, and he makes it educational and fun to play. Modest brass ranges, written solos with ensemble backgrounds, and plenty of easy swing rhythms make a super chart that provides all you need for a great concert. With such an outstanding composer, arranger, and chart, you can’t lose with this one!SKU: ALJEM00056 -
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I Got Rhythm
Everybody gets the melody in this unusual but hip swing chart. Check out how jazz trombonist Wycliffe Gordon has taken this jazz standard and worked his arranging magic. A piano or guitar solo section (can be any soloist), a brief meter change to 3/4, plenty of energy throughout—no one will doze off on this chart. A clever arrangement. (2:32)SKU: AL29817 -
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I Got Rhythm
Featuring the lead trombone, this one really swings! George Gershwinยฎ composed it and Dave Wolpe arranged the ultimate jazz standard as a showcase for your trombone soloist and the entire bone section. There is solo space galore in a well-crafted chart. Lead trumpet to high D and trombone soloist also to high D. Optional vibe part. A top choice.SKU: ALJEM03004 -
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I Gotta Feeling
From the acclaimed CD The E.N.D by the Black Eyed Peas, this mega-hit was number one on the charts for more than 3 months, and was also nominated for two Grammy awards. Featuring a driving groove and a familiar melody, here is a solid arrangement for jazz ensemble sure to bring a contemporary edge to your next concert.SKU: HL7011736 -
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I Have Dreamed(from The King and I)
From The King and I, this fabulous melody has been adopted by countless singers and jazz artists. In this setting, Mike Tomaro makes skillful use of colors and textures to create a lush-sounding ballad for the entire ensemble.SKU: HL7011794 -
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I Just Called to Say I Love You (Key: B-flat)
Originally recorded in 1984 by Stevie Wonder, here is a smooth version in a cha-cha style that provides a very appealing setting for vocalist. Michael uses some harmonic twists and turns, interesting and creative background figures, and includes solo space for trumpet.SKU: HL7012223 -
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I Let a Song Go Out of My Heart
I Let a Song Go Out of My Heart arranged by Bill Culiffe, is a fine chart for a concert, festival, or dance gig. A medium swing at 114 BPM, written solos are provided for alto, trombone 1, and piano. With great dynamics, sax solis, and a sweet shout chorus, this chart swings all by itself, and you’ll love its voicings, too. Optional vibes. (4:04)SKU: AL41171 -
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I Let a Song Go Out of My Heart
Warner Bros. Publications is proud to present this important series, Jazz at Lincoln Center Library. Each selection was selected by the Center’s musical director, Wynton Marsalis. Each transcription is direct from the recordings of the immortal Duke Ellington, and they are not only authentic, they are perfect for your jazz ensemble. Features information about the original recording, rehearsal notes from Jon Faddis and Brent Wallarab, and performance suggestions from Wynton Marsalis. These classic tunes represent jazz at its finest!
SKU: ALJLCM003 -
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I Like It Like That
Sure to be recognized from its use in commercials and pop culture, this uptempo mambo will quickly become one of your band’s favorites. The often-neglected trombone section gets the spotlight throughout! Also features is an open solo section and layers of Latin excitement!SKU: HL07014000 -
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I Love Being Here with You (Key: Db)(Vocal Solo with Big Band)
Originally recorded by Peggy Lee in 1960, this upbeat swinger exudes a great message and positive energy. Perfect for a singer to add their own personality and connect with the audience. John Clayton’s standout arrangement was recorded by Queen Latifah on her album Trav’lin’ Light.SKU: HL7012926 -
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I Mean Monk
Jazz great Thelonious Monk composed so many classic tunes, and this creative powerhouse of a chart includes snippets of sixteen of them! Challenge your audience (and your players) to find them all as they are tucked in around background figures and countermelodies. Based on the chord progression of Monk’s โI Mean You,โ Antonio’s skillful work is an absolute clinic for the melodic genius of this jazz master.SKU: HL7012127 -
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I Mean You
Featuring a freewheeling New Orleans style street beat alternating with straight-ahead swing, here is a Monk favorite in a unique and creative setting. Trumpet and tenor share the melody, and solo space is included for trombone and piano.SKU: HL7011341