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25.00 $
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1345โ1368/3834๊ฐ ๊ฒฐ๊ณผ ํ์
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T.M.I. (Too Much Information)
This Latin-rock original by Ralph Ford has a distinct Santana flavor. With a fresh sounding melody that could easily be a pop hit, Ralph has scored this one to sound full – even with reduced instrumentation – and the younger players will definitely hook into this tune. Written-out solos for piano and trombone are provided and the brass ranges are very accessible. This is a winner!SKU: ALJEM03043 -
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Take Five
Give Mike Lewis the most famous 5/4 tune ever written and tell him to arrange it for young jazz ensemble, and you have an instant hit. Mike has created a great opportunity for developing young jazz musicians to enjoy this Dave Brubeck standard. Great teaching material! (duration 3:15)
SKU: ALJE9701 -
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Take Five
Perhaps the most famous time chart of all time, Take Five is in 5/4 but the rhythmic pattern is clear and consistent throughout. You’ll find this arrangement very accessible with easy alto sax and drum solos, and modest brass ranges. Recommended for every concert! (4:21)SKU: AL29819 -
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Take Five
Yep, it’s in 4/4 not 5/4. A clever chart on a super classic that everyone will recognize, young or old. The bossa nova tempo is around 130 BPM and there are written suggested solos for piano and alto sax. Lead trumpet range is to written B-flat above the staff, and an interlude reoccurs to offer contrast. It all works great! “Take Five” has been skillfully arranged by John Zontek. (4:50)SKU: AL46164 -
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Take on Me
The trumpets are in the spotlight in this easy version of the 1985 techno rock classic recorded by the group A-ha. Featuring an energetic rock groove throughout, this chart is solidly scored for the entire band, and no solos are required.SKU: HL7012996 -
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Take the “A” Train
This chart swings all the way and is very playable by a young band. Arranger Vince Gassi captures the essence of this well-known Strayhorn composition made famous by Ellington, and scored it exactly right—not too difficult but with fun-to-play parts. It includes brief written solos for 1st alto sax and 1st trumpet and easy ranges with plenty of dynamics to teach. A superb chart you will play for years to come! (3:05)SKU: AL30614 -
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Take the “A” Train
Think of Take the “A” Train with a contemporary flair and you have the idea behind this inventive chart by Alan Baylock. Opening up in a swing groove, then alternating with a funk feel, bari sax, bass ‘bone, guitar and bass have the initial melodic statement in this terrific chart. Solo space is available for alto sax 1, trombone 1, bari sax and trumpet 2, and the lead trumpet range is to written D, above the staff. A modern yet superb chart of a tune everyone knows. Festival material! (5:15)SKU: AL30644 -
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Take the “A” Train
Frank Foster, leader and arranger for the Count Basie band, penned this version of the classic big band tune. Recreate that great Basie sound with your own ensemble, using the same chart they use. Wonderful sounds and great teaching material, too. (4:21)
SKU: ALJE9511 -
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Take the “A” Train
Perhaps one of the most well-known jazz standards, check out this vocal with big band chart. At a swinging 152 BPM, the key is F and the vocal range is A below middle C to 3rd space C, treble clef. No instrumental solos, lead trumpet range is to G on top of the staff. Plus, there are optional solos instrumental parts for B-flat, E-flat and bass clef instruments in lieu of the vocal. A great tune, and great chart, it will be a hit for sure.SKU: AL40376 -
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Take the โAโ Train
Billy Strayhorn’s iconic jazz standard, recorded by Duke Ellington, is skillfully adapted in this easy version. From the trademark introduction, saxes on the main theme, and short written or ad lib. solos, this will sound great even with young players.The Discovery Jazz Series features arrangements written for full band, playable with 3 saxes, 2 tpts., 1 tbn., rhythm section. Each arrangement includes optional parts for flute, clarinet, F horn and tuba and full length recordings available for each arrangement.SKU: HL07013724 -
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Talk Is Cheep
The chicken saga continues and it is FUNKY! This big band funk chart grooves at a tempo around 116 BPM. The energetic groove begins after the chorale intro. The saxes state the melody, joined by brass, then solos (written-out or ad lib) for tenor and trumpet 2, building up to a huge shout chorus. Lead trumpet range is to written A above the staff.SKU: AL38692 -
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Tanganova
Leave it to Michael Mossman to combine two unique Latin styles (tango and bossa nova) into a single composition! The saxes take the lead on the sultry tango theme punctuated by the brass, then a trumpet soloist takes over when the bossa style kicks in. This is ingenious writing that really works!SKU: HL7011527 -
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Tangerine
Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for trombone. A classic and unique take on a familiar standard.SKU: HL07013378 -
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Tango for Jam Jam
“Tango for Jam Jam” by Zachary Smith is a captivating tango sure to be a hit at any concert. The tempo is 120 BPM and the chart has a written alto sax solo, along with lots of built-in energy and most importantly, it’s fun to play. You’ll think you’re in Argentina! (3:22)SKU: AL45061 -
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Tank!(from Cowboy Bebop)
From the Japanese anime television series โCowboy Bebop,โ this exuberant tune has taken on a life of its own, and is simply flat out fun! Composed by Yoko Kanno and arranged here for younger ensembles by Paul Murtha, this exciting chart features a driving bass line with saxes on the main melody and punches from the brass. Solos are included for alto sax and trumpet.SKU: HL07013944 -
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Tastes Like Chicken
It’s true, it Tastes Like Chicken! A slow gospel-style introduction leads into an extra crispy groove that will have the band coming back again and again. The melody is catchy, the groove is funky, the rhythms are simple and solos (written or ad-lib) are for tenor and alto saxophones. Trumpet range to written G. This is a fun and exciting contemporary chart that is accessible for the young player. Guaranteed to deliver in four minutes! (3:44)SKU: ALJEM02041 -
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Tea for Two
Although composed in the 1920s, this popular melody has been a favorite with jazz artists ranging from Art Tatum to Ella Fitzgerald. Arranged here in a slow Basie swing style, Mark’s version is a great study for full ensemble playing and mastering this important style.SKU: HL07013892 -
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Teddy the Toad
Originally done by the great Basie band, “Teddy” is a mellow chart that will give the young band an intimate sound played at an easy swing tempo. Not difficult, yet very effective with written solos for 1st alto and 1st trumpet. Modest trumpet range and the usual optional parts make this one very accessible. (4:01)SKU: AL29770 -
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Tell Me Something Good
This classic funk tune from the ’70s was written by Stevie Wonder, but became a huge hit for Rufus and Chaka Khan. Featuring a slow and driving pulse with heavily syncopated figures, this chart provides a powerful change of pace for contest or festival.SKU: HL7012780 -
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Tenor Madness
In this riff-based jazz standard, Michael Sweeney simplifies the figures just a touch to make it more playable by beginning groups, but authentic enough that it still really swings! A great introduction to Sonny Rollins, and with flexible solo opportunities using the blues scale.SKU: HL07013244
