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4
Showing 49–72 of 266 results
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Jazz Ensemble, Jazz Ensemble Grade: 4
Crystal Silence
Recorded in 1972, Chick Corea’s Return to Forever album is recognized as one of the landmark albums of jazz fusion. Along with the jazz standard “La Fiesta,” the mesmerizing ballad introduced on this album was “Crystal Silence.” Mike Tomaro does a marvelous job of maintaining the ethereal and lush qualities of the original in this outstanding setting for jazz ensemble. A stunning choice for contest or festivals.SKU: HL7011981 -
Jazz Ensemble, Jazz Ensemble Grade: 4
Cut the Cake
Scottish funk group, Average White Band, had two major hits that helped solidify the horn-driven funk sound of the ’70s. “Pick Up the Pieces” was released in 1974, and “Cut the Cake” followed close behind in 1975. Signature tunes with catchy horn licks that still sound great today!SKU: HL7011833 -
Jazz Ensemble, Jazz Ensemble Grade: 4
Dat Dere
Penned by Bobby Timmons and recorded by a number of jazz artists over the years, Dat Dere is a great example of “soul jazz” of the early ’60s. This arrangement for small band features alto sax and trumpet on the head, a section for open solos, and a short ensemble shout at the end.SKU: HL7012962 -
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Jazz Ensemble, Jazz Ensemble Grade: 4
Dreamsville
What a neat idea to turn this Henry Mancini classic into a medium samba groove! Your lead trombonist receives some well-deserved feature time and is joined briefly by the entire bone section. The ensemble “shout” chorus begins with an ingenious unison line played softly to start, before turning things back over to the trombone solo. Nicely done!SKU: HL7011523 -
Jazz Ensemble, Jazz Ensemble Grade: 4
Duke Ellington’s Sound of Love
Charles Mingus’ distinctive take on the classic Ellingtonian ballad style provides a beautiful showcase for a variety of soloists, as well as lush full ensemble scoring. Also included is an optional solo for flute or piano.SKU: HL7011483 -
Jazz Ensemble, Jazz Ensemble Grade: 4
Duke of Iron
This calypso-flavored composition from Sonny Rollins may not be as well known as his St. Thomas, but Duke of Iron is a distinctive and marvelous tune on its own. Featuring the two tenor saxes and two trombones off the top, this chart is well scored for the entire ensemble and sure to become a favorite. Solos are provided for tenor sax and trombone.SKU: HL7012920 -
Jazz Ensemble, Jazz Ensemble Grade: 4
Dusk to Dawn (Solo Alto Sax Feature)
In sort of a throwback style of slow funk, here is a skillfully composed vehicle for solo alto sax. Rich harmonies and an infectious groove help set the stage. And with careful pacing and tight ensemble figures, this makes an appealing change of pace for any concert or festival.SKU: HL7011921 -
Jazz Ensemble, Jazz Ensemble Grade: 4
Ernie’s Romp
Here is a great-sounding chart for featuring a tenor sax and guitar duet (or just tenor sax). Utilizing a medium shuffle grove, this smooth chart also features a dialog between a small group and the full ensemble. The solo section (trumpet, then tenor sax) alternates between a half-time groove and straight ahead swing. Topped off with the powerful shout chorus for the full band!SKU: HL07013464 -
Jazz Ensemble, Jazz Ensemble Grade: 4
Europa(Tenor Sax Feature)
One of Carlos Santana’s more memorable compositions is this instrumental hit from 1976. Along with Santana’s own recording, the version by saxophonist Gato Barbieri also became a hit that year. The haunting melody and sensual style of the original is authentically recreated in this version for full jazz ensemble that features a tenor sax soloist.SKU: HL7012804 -
Jazz Ensemble, Jazz Ensemble Grade: 4
Fables of Faubus(Young Edition)
This classic Mingus composition is meant to be performed with a sense of an “anger” or sarcasm, and definitely projects an edginess. The bari sax and bass bone will have fun with the opening and there is plenty for the rest of the ensemble to get excited about as well in this medium swing romp.SKU: HL7011439 -
Jazz Ensemble, Jazz Ensemble Grade: 4
Fantasy
One of the most dynamic hits from Earth, Wind & Fire, here is a great sounding arrangement creatively scored in a small group setting. Tenor and trombone are featured on the melody along with a funky baritone sax line. Also includes a solo for tenor sax. (Grade 4)SKU: HL7011746 -
Jazz Ensemble, Jazz Ensemble Grade: 4
Feeling Good (Key: Cmi)
From the Broadway musical The Roar of the Greasepaint, The Smell of the Crowd, this fabulous standard is popular again with a stunning rendition by Michael Bublé. Capturing the bluesy flavor of this version, here is a vocal solo feature sure to bring down the house. Can also be used as an alto sax feature.SKU: HL7500133 -
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Jazz Ensemble, Jazz Ensemble Grade: 4
Four on Six
Wes Montgomery’s jazz standard is arranged here featuring both the straight-ahead swing style of the original as well as an updated samba version inspired by a recording by John Scofield and John Abercrombie. Solos are indicated for tenor and guitar (or piano), but there’s flexibility for anyone to solo.SKU: HL7013020 -
Jazz Ensemble, Jazz Ensemble Grade: 4
Freddie Freeloader
Originally recorded on the Miles Davis landmark recording Kind of Blue, here is a swingin’ and updated take on this all-time blues favorite. Tasty full ensemble interludes surround solo space for alto sax, trumpet and bass. This chart is a perfect choice for festivals or contests.SKU: HL7011718 -
Jazz Ensemble, Jazz Ensemble Grade: 4
Georgia on My Mind
Made popular by Ray Charles but recorded by countless artists through the years, Hoagy Carmichael’s beloved classic is instantly recognizable. This arrangement features a slow and bluesy swing style with solos for alto sax and trombone.SKU: HL7013018 -
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Jazz Ensemble, Jazz Ensemble Grade: 4
Ginger Bread Boy
Written in a funky “second line” New Orleans groove, the familiar riff-like melody is traded between sections of the band. There is ample solo space for tenor and trumpet, as well as a display of exceptional writing for the full ensemble.SKU: HL7011740 -
Jazz Ensemble, Jazz Ensemble Grade: 4
GMT (Greenwich Mean Time)
Composed in a relaxed swing style, this catchy tune is built up in layers starting with the trombones. Saxes are added followed by the trumpets, and finally the full ensemble gets in on the fun. There are short but flashy feature spots for each section followed by an interlude leading to the open solo section. All of this is beautifully set using an interaction between a 2-beat feel and straight ahead swing.SKU: HL07013446 -
Jazz Ensemble, Jazz Ensemble Grade: 4
Goodbye Yellow Brick Road
The unlikely treatment in a swing style sets this arrangement apart as Mark Taylor takes Elton John’s familiar hit in a completely new direction. The style alternates between a “2” feel and straight ahead swing, and there are solos for tenor and trombone in addition to solid writing for the entire ensemble. Very effective!SKU: HL7011652
