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Jazz Ensemble, Jazz Ensemble Grade: 1.5
I’ll Be Home for Christmas
Need something that goes together quickly for that holiday concert that still sounds great? Rick Stitzel’s easy Latin-style arrangement of this Christmas classic has plenty of tutti playing for the ensemble along with rich harmonies and a nice groove. Also included is a short solo for alto sax.Enjoy great flexibility with the Discovery Jazz series! Playable with 3 saxes, 2 trumpets, 1 trombone, piano and drums; includes optional parts for flute, clarinet, F horn and tuba.SKU: HL7012331 -
Jazz Ensemble, Jazz Ensemble Grade: 2
I’ll Be Home for Christmas
The ideal holiday chart that will sound great and be easy to rehearse. Start with a holiday classic played around 92 BPM in a light rock groove, add written melody solos, and easy ranges—this is a win-win for everyone! (2:50)SKU: AL46154 -
Jazz Ensemble, Jazz Ensemble Grade: 1
I’ll Be There
Recorded by the Jackson 5, this was a number one hit in 1970 and again in 1992 recorded by Mariah Carey. This easy ballad is a nice change of pace for beginning bands that everyone can enjoy.Enjoy great flexibility with the Discovery Jazz series! Playable with 3 saxes, 2 trumpets, 1 trombone, piano and drums; includes optional parts for flute, clarinet, F horn and tuba.SKU: HL7470739 -
Jazz Ensemble, Jazz Ensemble Grade: 3
I’ll Take Les
A straight-eighth groove that’s a little funky plus a catchy melody at 130 BPM, and you have a winner. Features written solos for tenor, trumpet 2, or guitar, lead trumpet range to written A, a great bari sax part, and optional parts for Latin percussion and vibes. Excellent writing. (5:15)SKU: AL41162 -
Jazz Ensemble, Jazz Ensemble Grade: 2
I’m Beginning to See the Light
This is a swinger all the way! The tempo can be anywhere between 132–150 BPM and there is a written-out trumpet 2 solo. There’s plenty of swingin’ ensemble, a great sax section soli, plus optional parts for flute, clarinet, vibes, horn, baritone horn, and tuba. Add in trumpet plungers and sliding trombones and it’s all great stuff!SKU: AL40348 -
Jazz Ensemble, Jazz Ensemble Grade: 4
I’m Down With That!
Composed in an up-tempo swing style (but with attitude!), here’s a tour-de-force for the entire ensemble. Mark beautifully contrasts small ensemble scoring with full band passages, and provides solo opportunities for tenor sax and trumpet. A sax soli and shout chorus complete the package.SKU: HL7013156 -
Jazz Ensemble, Jazz Ensemble Grade: 3
I’m Getting Sentimental Over You
Long recognized as the signature song for the Tommy Dorsey Orchestra, Mark Taylor beautifully arranges it here for young jazz ensembles. Set in a slow Basie style swing, this chart features plenty of full ensemble scoring, modest brass ranges, a solo for trumpet, and a brief sax soli in double time feel.SKU: HL07013332 -
Jazz Ensemble, Jazz Ensemble Grade: 3
I’m Getting Sentimental Over You
A funky groove alternating with a swing feel at around 170 BPM. This is a clever and effective treatment of this familiar melody, with solos written for trombone 2 and tenor, and drums fills with band hits. Optional vibes. (4:50)SKU: AL41130 -
Concert Band, Concert Band Grade: 4
I’m Seventeen Come Sunday
Australian-born Percy Grainger developed into one of the most sensationally successful concert pianists of the early 1900s. As a composer and arranger, he is perhaps best known for his work with folk music. Number eight in Grainger’s British Folk-Music Settings series, “I’m Seventeen Come Sunday” is actually an amalgam of two English folk songs — the main tune collected by Grainger in 1905, from Lincolnshire, and a variant of a tune collected by Cecil J. Sharp in 1912, from Sumerset. Welcome Douglas Wagner’s sensitive setting of one of Grainger’s best-known works. (3:00)SKU: ALBD9909 -
Jazz Ensemble, Jazz Ensemble Grade: 3
I’m Still Standing
Elton John’s classic hit from 1983, with its upbeat feel and message of perseverance, is as popular today as ever. This swinging version starts with trombones on the lead, followed by a turn for the saxes, and finally the full ensemble. Also included is a solo for alto sax. A well-scored arrangement that will sound great.SKU: HL07013800 -
Jazz Ensemble, Jazz Ensemble Grade: 4
I’ve Got a Gal in Kalamazoo
A,B,C,D,E, etc. You’ll remember this one from the Glenn Miller days! And now here is an arrangement with vocal group and big band which will bring back those fine memories. You can use this with vocal soloist instead, but the effect will be greater with the quartet. Try this one for a super response! Key of C.
SKU: ALWBJE9327 -
Jazz Ensemble, Jazz Ensemble Grade: 3
I’ve Got You Under My Skin
Check out this easy-going chart that swings at 132 BPM. This great Cole Porter standard is arranged with written tenor, trumpet, and alto solos with an alto cadenza. The lead trumpet range is to written B-flat. Bill Cunliffe included great development and a sweet shout chorus. Superb chart! (6:23)SKU: AL43737 -
Jazz Ensemble, Jazz Ensemble Grade: 3.5
I’ve Grown Accustomed to Her (His) Face
A jazz ensemble chart for vocalist scored with a straight-eighth groove on this wonderful standard. Lyrics accommodate female or male vocalists and the vocal range is from low G below middle C to third line B-flat. There is an alto sax solo with a written-out solo provided. Lead trumpet range is to written A above the staff. Optional parts to substitute for the vocal are provided for C, B-flat, E-flat, and trombone. (4:20)SKU: AL46170 -
Jazz Ensemble, Jazz Ensemble Grade: 4
I’ve Told Ev’ry Little Star
In the able hands of master arranger Michael Philip Mossman, this popular standard from the 1930s takes on new life. Using a mix of cha-cha and mambo styles, this marvelous arrangement becomes a solo vehicle for tenor sax, along with ample space for the full band to shine. Throughout, this chart is loaded with impact and attitude!SKU: HL7011987 -
Concert Band, Concert Band Grade: 4
Iberian Escapades
Written for the Boca Raton Middle School Band in Florida, Iberian Escapades was inspired by the resort architecture of Addison Mizner, whose Mediterranean-style estates launched a “Florida Renaissance” and inspired architects across North America. Mizner identified each of his Boca Raton villas with Spanish names, three of which are captured in this musical collage: El Mirasol (it watches the sun) is a fanciful Flamenco-style opening; El Solano (the east wind) presents exotic colors and romantic themes; and La Guerida (the bounty of war) ends the piece with an aggressive and energetic statement.SKU: AL31725 -
Jazz Ensemble, Jazz Ensemble Grade: 2
If I Could Fly
If I Could Fly Away is a lush ballad for solo tenor saxophone. Composer/arranger Mike Smukal weaves and contrasts minor and major harmonies and has created a superb chart for the younger player with lead trumpet range only to top line written F. The tenor solo is all written out and the rhythm section parts are very clear. An excellent vehicle for a young tenor sax player!SKU: AL26868 -
Jazz Ensemble, Jazz Ensemble Grade: 3
If I Didn’t Have You (From Monsters, Inc.) Young Jazz Ensemble Softcover(From Monsters Inc.)
Jazz Ensemble, Jazz Ensemble Grade: 3If I Didn’t Have You (From Monsters, Inc.) Young Jazz Ensemble Softcover(From Monsters Inc.)
The academy award-winning song from “Monsters, Inc.” makes a very nice swing chart for jazz ensemble. With Randy Newman’s unmistakable style and John Berry’s expertise for young players, you can’t go wrong with this fun chart.SKU: HL07010945 -
Jazz Ensemble, Jazz Ensemble Grade: 2
If I Only Had a Brain
The Wizard of Oz has given us many great melodies that lend themselves to the jazz style. With the sax section featured throughout, no individual solos and lots of ensemble work, this one is a textbook swing chart perfect for young musicians. Dotted-eighth rhythms work so well with this tune that it just about plays itself. Mike Lewis knows how to score an arrangement for young bands: easy to learn, great sounding and, most important, fun to play!SKU: ALJEM00011 -
Jazz Ensemble, Jazz Ensemble Grade: 4
If I Were a Bell
Although composed by Frank Loesser for the musical Guys and Dolls, this tune became a jazz standard largely thanks to the recording by Miles Davis. Sammy Nestico shows that he’s still the master of big band arranging with this sparkling version in a medium swing style. Impeccably scored utilizing every section of the band, solo space is provided for tenor sax and piano, and a beautifully crafted full band chorus finishes it out.SKU: HL07013338 -
Concert Band, Concert Band Grade: 4
Ignition
“Ignition” is a blindingly fast, raucously energetic concert opener that derives its title from the consecutive rising three-note cells that are the building blocks for almost the entire work. However, the energy unleashed in the music and the imagery of the title serve both as a metaphor for the “spark” of creativity, and as a “celebration in sound” for those who find and follow their own true life’s passion and pass it along to others, “igniting” the flame for another generation. It was written for the Atlanta Youth Wind Symphony and their conductor, Scott Stewart, who have been steadfast supporters of Todd Stalter’s compositions, as a musical “Thank you!” from a grateful composer.SKU: AL36719 -
Concert Band, Concert Band Grade: 1
Illusions
An illusion can be defined as something that seems different than it really is. In this unique piece for very young players, Michael Oare uses shifting tonal centers to intentionally deceive the listener in order to create a musical illusion. It provides an opportunity for careful use of notes from the chromatic scale in a striking and fun setting! Dur: 1:55SKU: HL04004212 -
Concert Band, Concert Band Grade: 2.5
Images of Spain
Three contrasting and delightful traditional Spanish melodies are seamlessly interwoven for concert or contest programming. Including the revered “Asturias” by Isaac Albéniz, Granados’ “Spanish Dance #5” from his Twelve Spanish Dances, and the well-known “España Cañi,” a paso doble by Pascual Marquina Narro featuring a wide variety of ensemble textures. Intellectual, musical, and worldly! (3:45)SKU: AL45789 -
Jazz Ensemble, Jazz Ensemble Grade: 2
Imagine
Since being released in 1971, John Lennon’s poignant and sensitive song remains relevant and popular today. John Berry’s arrangement for young players is in the style of a rock ballad, with a contemporary feel and skillfully passing the melody from section to section. Requires no solos.Enjoy great flexibility with the Easy Jazz Ensemble series! Playable with 4 saxes, 3 trumpets, 3 trombones and rhythm; includes optional parts for flute, clarinet, F horn and tuba.SKU: HL7012469