Concert Band
Showing 1033–1056 of 2284 results
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Concert Band, Concert Band Grade: 2
Hues of Blue
Treat your ensemble and audience to sophisticated-sounding, yet quite playable blues for young band. Jazz-voiced chords and a cool bluesy groove give this piece a very appealing sound. Add in some soloists trading fours and a shout chorus, and this might be the tune that brings the house down! (2:30) Correlates to Book 2, level 2.SKU: AL44153 -
Concert Band, Concert Band Grade: 1
Hunter’s Mountain
Hunter’s Mountain is an aggressive beginning band composition that was written to capture the energy and imagination of young musicians. With very limited demands, this composition offers young players a chance to perform with success in their early stage of development! Only the first six notes of the B-flat concert scale are utilized. (1:45)SKU: AL29493 -
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Concert Band, Concert Band Grade: 3.5
Hymn to Loved Ones Lost
In this touching composition, Richard Saucedo has created a collage of feelings and emotions associated with losing someone near and dear. Along with a sense of sadness, the piece also reflects feelings of frustration and anger we often feel at these times. It is the composer’s hope that this musical tribute will help remind us all that “music is for everybody.”SKU: HL04004787 -
Concert Band, Concert Band Grade: 4
Hymn to the Beauty That Was
This stunning lyrical composition is truly something special. A tribute to Jennifer, Hayley, and Michaela Petit, victims of a 2007 home invasion in Cheshire, CT, Hymn to the Beauty That Was is a moving ballad which adds harp (or synthesizer) to the band, and features soloists on flute, English horn (or alto sax), and euphonium. The piece builds to a powerful and emotional climax as the three main musical elements (the women’s theme, the hymn melody, and an accompanying triplet figure) are woven together.SKU: AL36713 -
Concert Band, Concert Band Grade: 2
Hymnsong Variants
This work, from the pen of Robert W. Smith, consists of an original theme with a set of three variations. A charismatic melody sets the scene and knits itself to a trio of stunning contrasts. As one expects from this talented composer, percussion plays a vital role to add hue and texture, driving the piece to a forceful finale. A dazzling display! (4:21)SKU: ALBD9666 -
Concert Band, Concert Band Grade: 2
Hyperdrive
Inspired by science fiction writers from the 1900s, the ability to travel faster than the speed of light is musically depicted in this energy-packed original composition. Lightly repeated eighth notes join forces with a supercharged percussion section to propel your students and audiences through space. Buckle up! (2:15)SKU: AL42175 -
Concert Band, Concert Band Grade: 4.5
Hypnotic Memories
This charming and somewhat dark musical offering is a departure from this composer’s usual “epic” style. Originally scored for fifteen players, this piece is much more intimate than the composer’s thickly orchestrated grand works. Stylistically, a minimalistic compositional approach is used as the melodic content slowly unfolds over shifting ostinato patterns.SKU: AL47290 -
Concert Band, Concert Band Grade: 3
I Saw Three Ships
With skill, artistry, and a touch of sugar frosting, Vince Gassi has crafted another Christmas favorite. This lovely arrangement is based on a 17th century English carol. The melody is presented in a variety of keys and meters while a sense of joy and warmth is maintained throughout this uplifting work.SKU: AL37828 -
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Concert Band, Concert Band Grade: 4
I’m Seventeen Come Sunday
Australian-born Percy Grainger developed into one of the most sensationally successful concert pianists of the early 1900s. As a composer and arranger, he is perhaps best known for his work with folk music. Number eight in Grainger’s British Folk-Music Settings series, “I’m Seventeen Come Sunday” is actually an amalgam of two English folk songs — the main tune collected by Grainger in 1905, from Lincolnshire, and a variant of a tune collected by Cecil J. Sharp in 1912, from Sumerset. Welcome Douglas Wagner’s sensitive setting of one of Grainger’s best-known works. (3:00)SKU: ALBD9909 -
Concert Band, Concert Band Grade: 4
Iberian Escapades
Written for the Boca Raton Middle School Band in Florida, Iberian Escapades was inspired by the resort architecture of Addison Mizner, whose Mediterranean-style estates launched a “Florida Renaissance” and inspired architects across North America. Mizner identified each of his Boca Raton villas with Spanish names, three of which are captured in this musical collage: El Mirasol (it watches the sun) is a fanciful Flamenco-style opening; El Solano (the east wind) presents exotic colors and romantic themes; and La Guerida (the bounty of war) ends the piece with an aggressive and energetic statement.SKU: AL31725 -
Concert Band, Concert Band Grade: 4
Ignition
“Ignition” is a blindingly fast, raucously energetic concert opener that derives its title from the consecutive rising three-note cells that are the building blocks for almost the entire work. However, the energy unleashed in the music and the imagery of the title serve both as a metaphor for the “spark” of creativity, and as a “celebration in sound” for those who find and follow their own true life’s passion and pass it along to others, “igniting” the flame for another generation. It was written for the Atlanta Youth Wind Symphony and their conductor, Scott Stewart, who have been steadfast supporters of Todd Stalter’s compositions, as a musical “Thank you!” from a grateful composer.SKU: AL36719 -
Concert Band, Concert Band Grade: 1
Illusions
An illusion can be defined as something that seems different than it really is. In this unique piece for very young players, Michael Oare uses shifting tonal centers to intentionally deceive the listener in order to create a musical illusion. It provides an opportunity for careful use of notes from the chromatic scale in a striking and fun setting! Dur: 1:55SKU: HL04004212 -
Concert Band, Concert Band Grade: 2.5
Images of Spain
Three contrasting and delightful traditional Spanish melodies are seamlessly interwoven for concert or contest programming. Including the revered “Asturias” by Isaac Albéniz, Granados’ “Spanish Dance #5” from his Twelve Spanish Dances, and the well-known “España Cañi,” a paso doble by Pascual Marquina Narro featuring a wide variety of ensemble textures. Intellectual, musical, and worldly! (3:45)SKU: AL45789 -
Concert Band, Concert Band Grade: 2
In a French Garden
In a French Garden is an impressionistic composition fashioned in the style of a Debussy piano prelude. Full of legato passages and contemporary harmonies, this work provides a unique opportunity for young bands to learn about this mysterious and wonderful style of music. In a French Garden contains a rich palette of colors which will dazzle students and audiences alike!SKU: AL18231 -
Concert Band, Concert Band Grade: 4
In a Gentle Rain
This second movement of The Willson Suite has been restructured to accommodate virtually any wind instrument as the soloist. Serene by nature, the charismatic melody is accompanied by unique effects reminiscent of a gentle rain. The solo may be divided to permit multiple soloists to be featured. This creative approach is the perfect opportunity to feature outstanding soloists at your spring concert. An incredibly musical work. Your audience will be in awe.SKU: ALBDM00018 -
Concert Band, Concert Band Grade: 1.5
In a New York Jam
The sounds of the city come alive in this fun and funky tune, In a New York Jam by Lon McClearn. Easy to prepare with very comfortable ranges and infectious rhythms. The audience will enjoy the sounds of the city traffic and construction, all set to a rock beat. (2:10)SKU: AL48119 -
Concert Band, Concert Band Grade: 3.5
In Glorious Splendour
In Glorious Splendour references three well-known hymns—the popular Christmas carol, “Lo, How a Rose E’er Blooming,” and the hymns “It Is Well with My Soul” and “Were You There.” Able to be programmed alone or in tandem, this setting of three cherished hymns is glorious indeed. Rich with texture and emotion!SKU: AL35389