Concert Band
Showing 1729–1752 of 2947 results
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Concert Band, Concert Band Grade: 4
Monarch Fanfare
Utilizing an array of sparkling brass figures contrasted with brief lyric passages and dynamic shifts in texture, this work is equally effective as a concert opener or any type of celebratory event. Carefully paced for a dramatic and powerful impact.SKU: HLPC21010 -
Concert Band, Concert Band Grade: 3.5
Moon Phases 81
“Moon Phases 81” is a dynamic and innovative interpretation of the mystery, grandeur, and power of the moon. Take a trip to the mysterious dark side of the moon, experience the brilliance of a full moon, and feel the power of a lunar percussion with this bold, passionate, and fiery piece. Masterful scoring contributes to this dynamic depiction of lunar phases. Sure to capture the imagination of your band and listeners alike!SKU: AL35392 -
Concert Band, Concert Band Grade: 3
Moon River Vocal solo (opt. instrumental solo) with band
Performed by Audrey Hepburn in the 1961 film Breakfast at Tiffany’s, Henry Mancini’s iconic ballad has won numerous awards including the Oscar for Best Original Song and the Grammy for Record of the Year, and has been recorded by countless artists over the years. Arranged as a flexible solo vehicle for vocalist or instrumentalist (flute, oboe, clarinet, alto sax, trumpet, or F horn), this finely crafted setting will certainly add a special moment on any concert.SKU: HL04003353 -
Concert Band, Concert Band Grade: 1
Moon Rocks
Three—Two—One—BLAST OFF! Rock the moon with your band on their next performance. The percussion section is featured, and even helps to provide a “lift-off” for the moon launch. Great fun for everyone, this novelty-rock piece has a tune your audience will be singing long after the concert. With one-part writing for clarinet, alto saxophone, and trumpet, and clarinets staying under the break, this is easily playable in the first year of instruction. (1:50)SKU: AL44968 -
Concert Band, Concert Band Grade: 1.5
Moore Street Rag
Moore Street Rag is an energetic piece that was composed for the young band to enjoy the various elements of ragtime music. Each section is featured playing the syncopated melodies and counter melodies and the low brass and woodwinds provide the steady rhythmic bass line. The trombones present the initial melody and are prominently featured throughout. With precise articulation patterns and many chromatic motives, this fresh tribute to ragtime music will be fun for the young musician to rehearse and will be a hit with the audience as well!SKU: AL31693 -
Concert Band, Concert Band Grade: 4
Moravian Folk Rhapsody
This work for band is a setting of several delightful Moravian folk dances. “Stoji hruska v oudoli” is a fast-paced two-step dance. “Rozluc se Ancicko” features a clarinet solo in a mournful, yet lilting, slow 6/8 melody. “Preskoda nastokrat” is a highly rhythmic piece in a moderate tempo that features a brief double reed/piccolo section. “Ma zlata maticka” begins with an unaccompanied alto saxophone solo, then includes a folk dance that begins slowly and increases in tempo. “Vojaci jedou” is a proud and uplifting march in 3/4 time. “U Kláštera pole” ends the rhapsody with a lively 2/4 dance that builds to a rousing conclusion. Performers and audiences alike will enjoy the wonderful colors and tonality of this charming music from the Czech Republic. (9:20)SKU: AL22280 -
Concert Band, Concert Band Grade: 1
More Cowbell
More Cowbell was inspired by the famous television skit featuring a rock band, a record producer, and an over-zealous cowbell player. If the cowbell player is good at hamming it up (and rocking out!), you could try the following staging suggestions: Cowbell player plays with intensity and lots of movement, and starts moving in measure 17 toward the front of the band, ending up next to the conductor in measure 24, bowing to the audience on beat 4. Conductor gives a stern look and gestures to student to get back in the percussion section (possibilities: “slit throat” gesture with side of first finger followed by pointing forcefully to the back, or similar gestures). Student slinks back, starts playing cowbell again, but quietly this time. Playing gradually picks up intensity, and player starts again toward the front in measure 41, reaching the front by measure 48. In measure 48, either A) Conductor waves hands violently for student to stop, or B) have a couple of students place a large blanket over the cowbell player. This works, but only for one measure (player quits and doesn’t move in bar 49). Cowbell player resumes playing with a vengeance in measure 50 (either in spite of the teacher or under the blanket!). Make sure your new “rock star” takes another bow at the end of the piece. Have fun, and may your life always have more cowbell! Correlated with Accent on Achievement, Book 1, page 27.SKU: AL24637 -
Concert Band, Concert Band Grade: 3
More Cowbell! (Optional Feature for Amateur Cowbell Soloist)
The use (or overuse) of the cowbell in pop music of the ’70s was famously portrayed on a Saturday Night Live skit with Christopher Walken and Will Ferrell. Here is an entertaining medley of cowbell-laden classics including (Don’t Fear) The Reaper, Low Rider, Drive My Car, and Oye Como Va. For added theatrics be sure to invite a guest (local dignitary, principal, etc.) onstage to perform with the band on cowbell. Sure to be a YouTube moment!SKU: HL4004173 -
Concert Band, Concert Band Grade: 3
Morning Madness
What strikes a note of fear in every living, breathing man, woman and child? The title of this zany salute ‘says it all!’ From the insistent buzzing of the alarm clock to the rush hour race down the highway, Morning Madness uses all of the ‘morning sounds’ and gives your group a marvelous opportunity to become inventive. Be sure to throw in as many visuals as your percussion section can manage. ‘Tis a hoot! (3:51)
SKU: ALBD9864 -
Concert Band, Concert Band Grade: 1
Morpheus
Morpheus, the Greek God of Dreams, is represented in part by the powerful pulses that open this work, indicative of his power. Made up of high-energy, driving rhythms that establish the mood, this is truly an epic work for beginners. The repetitive rhythmic passages make the work sound difficult, but it’s easy to master. (1:58)SKU: ALBDM04057 -
Concert Band, Concert Band Grade: 3
Morris Dance Tunes
Morris dancing has been part of English culture and tradition for more than five centuries and still flourishes today in all parts of the UK. Douglas Wagner has made use of Holst’s charismatic style in these four spirited ‘dance’ tunes which now each include a brief introduction that also serves as an interlude for this through-played work. A charming cross-cultural addition to the concert band repertoire!“This attractive educational material will provide many teaching opportunities.”
– The Instrumentalist
SKU: AL35400 -
Concert Band, Concert Band Grade: 1
Mosswood Lullaby
With sweeping melodic lines and ample opportunities for phrasing and dynamics, this original work provides a wonderful moment of expression for any performance. The piece was written as a gift by the composer to long-time friends Gary and Brittney Williams to celebrate the birth of Olivia Paige Williams in 2008 on behalf of the Byrd Middle School Symphonic Band, and was premiered at the 2009 TMEA CCC Honor Band Concert with Mrs. Williams as the conductor. (2:20)SKU: AL37806 -
Concert Band, Concert Band Grade: 3
Mother Goose Suite
Ravel wrote the Mother Goose Suite for two children who were very special to him. His fascination with the wonder and imagination of childhood are evident in this piece. This arrangement will take your young band on a journey through the enchanted world of fairy tales—from the reflective “Sleeping Beauty Pavane,” to the playful “Tom Thumb,” the exotic “Empress of the Pagoda,” through the courtship of “Beauty and the Beast,” and concluding where all fairy tales must, with a happily-ever-after ending in “The Fairy Garden.” This piece is an excellent vehicle for featuring your soloists, and the well-crafted orchestration will showcase the wealth of sound and colors in any band. Being generously cued, even smaller bands will be able to enjoy Ravel’s music. Mother Goose Suite is sure to delight the little child in all of us.SKU: AL33846 -
Concert Band, Concert Band Grade: 2.5
Mountain Country Dances
Inspired by the musical tradition of early American folk songs, Johnnie Vinson has composed this appealing suite of three contrasting dance styles. The movements include “Tar Heel Two-Step,” “Woodland Waltz,” and “Blue Ridge Reel.” Sure to be an entertaining and rewarding work for young bands. (Grade 2.5) Dur: 5:15SKU: HL04003049 -
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Concert Band, Concert Band Grade: 4
Mountain Thyme (A Setting of “The Braes of Balquhidder”)
Written as a memorial, this beautifully emotional setting is a reworking of the traditional folk song “The Braes of Baquhidder” (also known as “Wild Mountain Thyme”) by Scottish writer Robert Tannahill. Samuel Hazo uses a varied tapestry of colors, textures and dynamics, taking full advantage of the depth and power of the modern wind band in creating this stunningly effective work. Dur: 4:20SKU: HL04003286 -
Concert Band, Concert Band Grade: 2
Mouthpiece Mania
From the sublime to the “you know what”! The melodies are from classic literature, but you can be guaranteed that the performance is not. Your entire trumpet section performs sans instruments (yes, mouthpieces only)! Your audiences will react as never before. Just see if even you can keep a straight face (and think of all the money that can be saved not having to use valve oil)! (2:39)
SKU: ALBD9937 -
Concert Band, Concert Band Grade: 4.5
Mouvement Frénétique
Mouvement Frénétique is a short, dynamic, frenetic, and rhythmic flight of fancy based on a simple motif of four notes that are repeated, varied and developed throughout. Rhythmic percussion, a broad mix of colors, and use of the Lydian scale add complexity, beauty, and energy to this electrifying piece. (5:30)SKU: AL48150 -
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Concert Band, Concert Band Grade: 1.5
Mozart and Company
Scored in a light and lively Classical style, familiar excerpts from Mozart’s A Little Night Music, The Marriage of Figaro, and The Magic Flute, cleverly and subtly intertwine with the time-honored Mother Goose melodies, “Jack and Jill,” “Three Blind Mice,” and “Twinkle, Twinkle, Little Star.” Teaching opportunities include light tonguing and dynamic contrasts in this charismatic work. The challenge for the listener is to discover where Mozart begins and Mutter Gans takes over. Hint: It’s not as easy as you might think. Delightful! (2:45)SKU: AL48160