Subtotal:
24.00 $
Concert Band
Showing 1993–2016 of 2947 results
-
Concert Band, Concert Band Grade: 3
Pop and Rock Legends – Neil Diamond
Since the 1960s, performer/songwriter Neil Diamond has been a dominant force in popular music. Here is a powerful medley of some of his best-known hits. Includes: America; Sweet Caroline; You Don’t Bring Me Flowers; Cherry, Cherry and I’m a Believer. Dur: 5:20SKU: HL4001181 -
Concert Band, Concert Band Grade: 3
Pop and Rock Legends – The Mamas & the Papas
During the turbulent period of the late ’60s, the Mamas & the Papas gave us tuneful hits that we could all identify with. Here is a medley of familiar songs that continue to speak to all generations. Includes: Monday, Monday; Dream a Little Dream of Me and California Dreamin’.SKU: HL04001281 -
Concert Band, Concert Band Grade: 3
Pop and Rock Legends: Elton John
Legendary pop icon Elton John has given the music world a wealth of distinctive-sounding pop hits. Included in this great-sounding medley from Ted Ricketts are Goodbye Yellow Brick Road, Saturday Night’s Alright (For Fighting), Candle in the Wind and Crocodile Rock.SKU: HL4000984 -
Concert Band, Concert Band Grade: 0.5
Pop Goes the Band
Watch your ensemble spring to life in this fun and engaging arrangement of the traditional tune “Pop Goes the Weasel,” called “Pop Goes the Band.” Each section of the band stands up to perform their part of the melody and gets a moment to shine. Sure to be a hit with your beginning band! Skillfully arranged by Chris M. Bernotas. (1:50) Correlates to Book 1, level 4.SKU: AL45972 -
Concert Band, Concert Band Grade: 3
Popular (from Wicked)
From one of the most powerful and successful Broadway musicals in recent years, Stephen Schwartz’s Wicked features a magnificent array of songs filled with grit and also humor. One of the show’s high points is this upbeat and entertaining production number.SKU: HL04001185 -
-
Concert Band, Concert Band Grade: 2
Portsmouth Overture
A wonderfully melodic work in the classic overture format. The scoring is full and all of the strengths of this band series (designed for the instrumentation of today’s young bands) are in evidence. This is an exceptional work for use in concert, contest or festival.SKU: ALBD00812 -
Concert Band, Concert Band Grade: 2
Postcard from Amsterdam (Digital)
The city of Amsterdam is unique for its lovely canals, impressive 17th-century architecture, and 1,500+ bridges. A bicycle ride is a great way to see the city, and bike bells are part of its soundscape. Postcards from Amsterdam (part of Robert Buckley’s “Postcard” series) features bicycle bells and a “pedaling” rhythm throughout, conjuring up images of riding up and down the old canals, through tulip-filled parks, and around the colorful neighborhoods and squares. Dur: 3:15SKU: HL04004123 -
Concert Band, Concert Band Grade: 3
Postcard from England
Postcard from England depicts a trek across the English countryside, with its gently rolling hills, thatched cottages, stately homes, castles and cathedrals. From the catchy “walking theme” featuring the low brass, percussion and woodwinds to the elegant “stately theme” reminiscent of the British brass band sound, every section in the band is featured. Tuneful and descriptive, take your audience on a scenic tour of this historic and charming part of the world! Dur: 3:45SKU: HL04003740 -
Concert Band, Concert Band Grade: 3
Postcard from Pittsburgh
Here is an impressive-sounding musical snapshot portraying the sights and sounds of this beautiful, artistic and historic city. The opening, metallic “Steel City” theme reflects its industrial heritage. This section builds to the majestic “City of Bridges” theme representing the grandeur of the surrounding rivers and 446 bridges. These themes develop and intertwine becoming the driving, urban “City of Champions” section culminating in the dramatic final strains. Powerful and descriptive writing for band! Dur: 5:00SKU: HL04003382 -
Concert Band, Concert Band Grade: 3
Power the Earth
This piece is a musical representation of some of the prominent forms of renewable energy produced in the Imperial Valley. A powerful opening fanfare leads to rapid passages that depict wind; slow harmonic shifts signify sunrays permeating the landscape with ever-increasing heat; and flowing, descending passages represent water used in hydroelectric power.SKU: AL47275 -
Concert Band, Concert Band Grade: 1.5
Power Up!
Here is an exciting rock piece that lets your band cut loose! Strong percussion and bass lines provide the foundation for the initial aggressive theme and harmonic progressions. A lyrical section provides a nice contrast leading to the dynamic conclusion. Power Up!SKU: AL33827 -
Concert Band, Concert Band Grade: 4
Powerhouse
The zany music of the Raymond Scott Quintette, originally recorded in the late 1930s, was a popular resource for the early Warner Bros. cartoons scored by Carl Stalling. Filled with surprise and humor, any fan of Bugs Bunny will recognize these unforgettable themes!SKU: HL4003302 -
Concert Band, Concert Band Grade: 3
Praeludium (from the Holberg Suite, Opus 40)
From Grieg’s Holberg Suite, Op. 40, the “Praeludium” is the first—and perhaps the most powerful—movement of that cherished work. Regal and bold in nature, this transcription will serve admirably as well in both concert or contest settings. A welcomed addition to the concert band literature. (3:15)SKU: AL38363 -
Concert Band, Concert Band Grade: 1.5
Praeludium and Dance
A bold fanfare opens this dynamic work, quickly leading to a rhythmic dance motif that propels the ensemble through a whirlwind of punctuated accompaniments and tuneful melodies. This is the perfect concert and contest opener or closing work for any developing band! (2:30)SKU: AL29451 -
Concert Band, Concert Band Grade: 3
Precious Lord, Take My Hand
Gorgeous sonorities flow throughout this beautiful musical adaptation. The melody is initially stated with a flute solo with woodwind and chime accompaniment. This adaptation of “Precious Lord Take My Hand” builds to a grandiose conclusion with the entire ensemble. Wonderfully moving! (2:36)SKU: ALBD00900 -
Concert Band, Concert Band Grade: 1.5
Predators of the Deep
“Predators of the Deep” depicts one’s primal inner fears of entering deep water and the awareness that there just may be something lurking below the surface seeking out its next prey. This exciting and programmatic work will captivate the imagination of your audience and students and will make a great starter or finishing piece for your next concert. (2:05)SKU: AL44978 -
Concert Band, Concert Band Grade: 1
Prelude (from the Holberg Suite)
From Grieg’s Holberg Suite, Op. 40, this setting of the first movement is exciting and a true celebration of sound. It is easy to rehearse and will come together rather quickly. It may be used as an opener or closer in the program. Enjoy this authentic-sounding short version from the beginning to the breathtaking finish. Regal in nature, this arrangement will be a cherished addition to the beginning band repertoire, suitable for contest and concert settings. Bravo! (2:30)SKU: AL38296 -
Concert Band, Concert Band Grade: 2
Prelude and Firestorm
Drawing its title from the term firestorm, this original composition opens with a slow and mysterious chorale in 3/4 time, then yields to relentless waves of firestorms, each one building in intensity, then receding, then rising again in a successive series of escalating passages, finally reaching a powerful and emphatic conclusion. Intense! (3:45)SKU: AL42171 -
Concert Band, Concert Band Grade: 3
Prelude and Fugue in B-flat Major
The Roland E. Moehlmann arrangement of Johann Sebastian Bach’s “Prelude and Fugue in B-flat Major” was originally scored in 1955 and remains on contest and festival lists. The fluid prelude establishes the melody and then it is amended musically with fascinating intricacy. Clarity of the composer’s intent is certain in this time-honored arrangement. Classic repertoire for your concert band. Freshly re-engraved, this is must in every serious band music library!SKU: ALWBRP1005 -
Concert Band, Concert Band Grade: 3
Prelude and Gloria (Adapted from Cantata No. 141–“Wachet Auf”)
The melody, ‘Wachet Auf’ (‘Sleepers, Wake’) was not composed by Bach, but was used by him in three of the seven movements of his Cantata No. 141. This arrangement features adaptations of the third and last movements of the Cantata. An introduction has been added, as well as a finale for the Gloria, for a more cohesive presentation. Contrasting movements offer fantastic opportunities to focus on contrapuntal and chorale playing. (Grade 3—Medium)SKU: AL5675
