Frederick Fennell

Sousa, who was a horseman himself, completed this wonderful work late in 1925. The march exemplifies the regimental rhythms heard with horse and rider and the Fennell arrangement preserves Sousa’s original intent, specifically explaining articulations and musical nuances. The Black Horse Troop has been re-engraved with a full score for the first time. (3:31)

Now with a full score provided, here’s the original Fennell arrangement of this revered John Philip Sousa march. Although there was always a harp included in the photographs of the Sousa Band, this is the only march in his repertoire that includes a part for the harpist. The part is included and can be played on a synthesizer. This one’s a real barn burner. (3:20)