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Michael Philip Mossman
Showing 1–24 of 60 results
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Jazz Ensemble, Jazz Ensemble Grade: 5
A Night in Tunisia
Written for and recorded by Mario Bauza, Michael Philip Mossman adds his own unique flare to this Dizzy Gillespie Latin jazz classic. Featured soloists include trumpet (of course), as well as trombone and alto. A great showcase for the entire ensemble!SKU: HL07011069 -
Jazz Ensemble, Jazz Ensemble Grade: 4
A Night in Tunisia
Michael Mossman takes Dizzy Gillespie’s signature tune into new territory, with a touch of “mambo” in this distinctive arrangement. A perfect way to showcase a trumpet soloist, the full ensemble also plays in important role in this sophisticated and dynamic arrangement for little big band.SKU: HL7011973 -
Jazz Ensemble, Jazz Ensemble Grade: 4
A Song for Horace(With Deep Thanks to Horace Silver)
Composed as a tribute to jazz great Horace Silver, this chart is set in a moderate cha-cha groove and includes marvelous melodic lines and outstanding ensemble writing. Also included is a brief double time section and solo for tenor sax.SKU: HL7011684 -
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Jazz Ensemble, Jazz Ensemble Grade: 4
Afro Blue
Jazz Ensemble Library – Grade 4Made famous by John Coltrane, but treated here in a more traditional Afro-Latin style, this is something a little different for jazz ensemble. As with all Mossman charts, the rhythm section is meticulously notated to insure the correct style. The 3/4 pattern throughout draws heavily on African influences and the melody is masterfully passed from section to section. A single pentatonic scale works for the solo section making this a wonderful vehicle for involving many soloists.SKU: HL07010987 -
Jazz Ensemble, Jazz Ensemble Grade: 4
Água de Beber (Water to Drink)
Arranged here in a unique samba setting, Michael Mossman provides some surprising twists and turns in this familiar Latin classic by Antonio Carlos Jobim. Every section gets into the act, along with a solo for tenor sax, soli spots for the saxes and brass, and some hard-hitting full ensemble passages.SKU: HL7011510 -
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Jazz Ensemble, Jazz Ensemble Grade: 4
Autumn in Rome(Alto Sax Feature)
Haunting yet beautiful describes Michael’s unique setting of this marvelous standard. Written in a moderately slow “bolero” style, this outstanding change of pace number features an alto sax soloist and a few ensemble surprises along the way.SKU: HL7012007 -
Jazz Ensemble, Jazz Ensemble Grade: 5
Bolivian Fantasy
As the title implies, this Michael Mossman original captures a Bolivian style utilizing various layers of sound and shifting moods. Trombones are featured first, but every section of the band gets a workout on this stunning piece. A stop-time section launches the tenor sax solo, and an open percussion feature sets up the powerful finish with the entire ensemble. (Recorded by the Phoenix Foundation Youth Jazz Orchestra, directed by Frank Reichert)SKU: HL07013444 -
Jazz Ensemble, Jazz Ensemble Grade: 4
Brother Ray
Composed for Latin jazz master Ray Baretto, this appealing cha-cha is based around a moderate groove and a very melodic theme. The variety in scoring is beautifully blended between showcasing individual sections interspersed with the power of the full ensemble. Solo space is provided for alto sax followed by trumpet or trombone.SKU: HL7012876 -
Jazz Ensemble, Jazz Ensemble Grade: 4
C-Jam Blues (ala Mambo!)
Here is an excitingly different take on this Ellington swing classic done in a mambo style! Including a slightly twisted melody to fit the style, Latin master Michael Philip Mossman cleverly adds counterlines, a montuno section, solos for alto and trumpet, and a vamp that starts soft then gains momentum. We think even the Duke would have liked this distinctive chart!SKU: HL07011223 -
Jazz Ensemble, Jazz Ensemble Grade: 4
Con Alma
• Arrangements of classic tunes and jazz standards• Scored for 4 horns with flexible instrumentation, plus rhythm section• Background figures and ensemble soli sections–more than just “head charts”• Recordings include separate “rhythm section only” tracksAfro-Cuban style using even 8ths and a moderate tempo.
SKU: HL7013250 -
Jazz Ensemble, Jazz Ensemble Grade: 5
Cubauza
This exciting Afro-Cuban composition is the opening cut from the 1993 album 944 Columbus, the final recording by Mario Bauza, one of the most influential figures in the development of Latin Jazz. The title comes from combining the words “Cuban” and “Bauza” and features a bebop influence interpreted by the Afro-Cuban rhythm section. This newly edited and engraved edition is a “must have” for mature bands. (Recorded by Mario Bauza)SKU: HL7011790 -
Jazz Ensemble, Jazz Ensemble Grade: 5
Evil Ways
This Santana hit has endured through the years and been recorded countless times. Here it is like you’ve never heard it before in the masterful hands of Michael Mossman! Arranged for David Sanborn, it has substantial solo space for alto sax, but other soloists include trombone, trumpet and guitar. The opening features a laid back cha-cha feel with colorful scoring (flute is optional) before developing into a real powerhouse for the rest of the chart.SKU: HL7011788 -
Jazz Ensemble, Jazz Ensemble Grade: 5
Finya Wulo
Commissioned by the South Carolina Band Directors Association, Finya Wulo (Mende – “funeral song”) is written using a distinctive 12/8 “bembe” feel in a moderate tempo. The scoring utilizes a small combo contrasted with passages for the full ensemble. This is an adventurous and engaging work featuring extended harmonies and a unique rhythmic tapestry. Solos are included for trumpet and tenor sax.SKU: HL7012341 -
Jazz Ensemble, Jazz Ensemble Grade: 4
GMT (Greenwich Mean Time)
Composed in a relaxed swing style, this catchy tune is built up in layers starting with the trombones. Saxes are added followed by the trumpets, and finally the full ensemble gets in on the fun. There are short but flashy feature spots for each section followed by an interlude leading to the open solo section. All of this is beautifully set using an interaction between a 2-beat feel and straight ahead swing.SKU: HL07013446 -
Jazz Ensemble, Jazz Ensemble Grade: 5
Going Celtic
Featuring a modal “Celtic” flavor, this original from Michael Mossman uses and energetic drive throughout along with a unique harmonic approach. Also included is solo space for tenor sax, and a section where the saxes and brass do “trade offs” on short riffs. A creative and distinctive piece for mature ensembles.SKU: HL07013246 -
Jazz Ensemble, Jazz Ensemble Grade: 4
Goomba Boomba
The year 2009 saw the passing of legendary singer Yma Sumac – the exotic “Peruvian Songbird” who flourished in the 1950s, yet her music is heard in numerous movies and soundtracks even today. Here is one of her signature tunes (heard in the film Death to Smoochy) in a marvelous Michael Mossman arrangement.SKU: HL7011692 -
Jazz Ensemble, Jazz Ensemble Grade: 4
Guantanamera
This well-known Cuban song has been recorded by countless artists through the years, and receives a standout contemporary setting for full jazz ensemble from Latin master Michael Mossman. Arranged in a moderate “Guajira” style, this chart features classy harmonizations and smooth ensemble passages. The solo section (optional for any instrument) is followed by an out chorus that is built up in layers starting with the rhythm section. Beautifully and effectively arranged.SKU: HL7013110 -
Jazz Ensemble, Jazz Ensemble Grade: 4
Have You Met Miss Jones?
Relaxed medium swing.• Scored for 4 horns with flexible instrumentation, plus rhythm section• Background figures and ensemble soli section– more than just “head charts”• Recordings include separate “rhythm section only” tracks
SKU: HL7013136 -
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Jazz Ensemble, Jazz Ensemble Grade: 5
I Just Called to Say I Love You (Key: B-flat)
Originally recorded in 1984 by Stevie Wonder, here is a smooth version in a cha-cha style that provides a very appealing setting for vocalist. Michael uses some harmonic twists and turns, interesting and creative background figures, and includes solo space for trumpet.SKU: HL7012223
