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George Gershwin
A mostrar 25–46 de 46 resultados
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banda de jazz, nível 4 da banda de jazz
Love Is Here to Stay
Arranged in a medium tempo Basie-style swing, this arrangement is a study in effective writing for the entire ensemble. From the small group passages contrasted with full band scoring, to the sax soli sections with brass responses, this chart is a gem! Solos are included for trumpet and tenor.SKU: HL7012441 -
banda de jazz, nível 3 da banda de jazz
Love Is Here to Stay
Using an ensemble-based scoring style, modest ranges, and rich harmonies, Rick Stitzel brings us a great-sounding arrangement of this Gershwin favorite for young bands. Written in a smooth, moderately slow swing style, it will provide the perfect change of pace for any program. Enjoy great flexibility with the Easy Jazz Ensemble series! Playable with 4 saxes, 3 trumpets, 3 trombones and rhythm; includes optional parts for flute, clarinet, F horn and tuba.SKU: HL7012475 -
banda de jazz, nível 3.5 da banda de jazz
Love Is Here to Stay
Featuring a chorale introduction with trumpet melody, “Love Is Here to Stay” leads into a bright swing around 184 BPM with suggested solos for tenor and alto. The lead trumpet range is up to written B above the staff. A hot festival chart! (4:23)SKU: AL43686 -
banda de jazz, nível 3 da banda de jazz
Nice Work If You Can Get It
A great combination of Gershwin and Wolpe! This vocal solo with big band chart is written in two different keys for your flexibility—it works for your female or male vocalist. A great Gershwin song with wonderful lyrics, this chart has reversible parts—just flip the page for female or male vocal key. Scored with easy vocal ranges, tasty backgrounds, a tenor sax solo and a swinging ensemble, it’s the perfect chart for any concert or dance. (Male vocal in F, female vocal in C)SKU: ALJEVM00002 -
banda sinfónica, nível 4 da banda de sopros
O Gershwin Sinfónico (The Symphonic Gershwin)
Misture uma parte de um compositor de classe mundial e uma parte de um arranjador super-habilidoso e o resultado é um medley perfeito dos favoritos de todos os tempos de Gershwin. O músico do nosso músico, Warren Barker, mistura o seu bom gosto em “An American in Paris”, “Cuban Overture” e “Rhapsody in Blue” numa apresentação hipnotizante para o seu público de concertos. Isto é feito a todo o vapor, do princípio ao fim! (7:25)“The Symphonic Gershwin é uma joia em todos os sentidos da palavra. Os estudantes devem ser expostos à grande música americana do passado e a música de George Gershwin merece certamente ser ouvida”
—SBO Magazine
SKU: ALCB9605 -
banda de jazz, nível 3 da banda de jazz
Oh, Lady Be Good!
Check out arranger Terry White’s straight-ahead bebop-influenced chart on this Gershwin standard. Swing feel throughout, a beefy sax soli, lead lines and solos (written out) for alto 1 and trumpet 2 and lead trumpet range is to written A above the staff. All the ingredients you need for a swingin’ chart. (3:09)SKU: AL29793 -
banda de jazz, nível 6 da banda de jazz
Rhapsody in Blue
This is a tour-de-force, GRAMMY® Award-winning arrangement by Gordon Goodwin of Gershwin’s masterpiece. The sax doubles call for piccolo (alto 1), clarinet/flute (alto 2) and bass clarinet (bari). The second alto part has the well-known clarinet solo. This chart has it all—the thematic material, swing, key changes, solo space for alto, tenor, bari, trumpet, and trombone; and lead trumpet range is to written high F. The percussion part calls for mallets and timpani. Overall, a grasp of both jazz and classical concepts will make this chart stand apart from anything else. As recorded by the Big Phat Band. (2:20)SKU: AL33370 -
banda de jazz, nível 1 da banda de jazz
Rhapsody in Blue
Classic Gershwin, Rhapsody in Blue is music all students should have the opportunity to hear and enjoy. The history of this composition dates back to 1924. Since then, it’s been recorded and performed countless times, and now it’s your turn. Take notice that master arranger Paul Cook scores it for the younger band yet still captures the essence of this beautiful melody, all the color, and even the trademark counter-melody toward the end. With the exception of a brief tenor sax solo on the melody, it’s all rich and full sounding ensemble, ideal for teaching phrasing. Flexible instrumentation along with easy brass demands and simple rhythms make this one a winner!SKU: ALJEM00029 -
banda de jazz, nível 3 da banda de jazz
Strike Up the Band
Inspired by the classic version recorded by Count Basie, here is a terrific uptempo swing chart suitable for younger bands. The melody is passed from section to section while building to a full band climax. Various soloing options are provided, and then a powerful shout chorus drives home this exciting chart.SKU: HL07014002 -
banda sinfónica, nível 3 da banda de sopros
Suíte Prelúdio de Gershwin (Gershwin Prelude Suite)
Este cenário composto dá vida aos adorados “Three Piano Preludes” de George Gershwin num cenário contemporâneo para Banda Sinfónica que pode ser eficaz no contexto de qualquer um dos seus programas de concerto. Esta música irá inspirar tanto os alunos como o público. Só Gershwin! (5:21)SKU: AL29615 -
banda de jazz, nível 3 da banda de jazz
Summertime
“Summertime” from Porgy and Bess is one of George Gershwin’s best-known compositions. Arranger Dave Rivello captures the distinctive Miles Davis Harmon mute sound in this outstanding chart. The 2nd trumpet solo part goes to written F on the top line, and the lead trumpet goes to written A. Superb!SKU: AL24871 -
banda de jazz, nível 3 da banda de jazz
Summertime
This is a contemporary and funky-ballad treatment of this classic vocal. The key is D minor, the vocal range is A below middle C to 2nd space A. The instrumental parts are very reachable with lead trumpet range to written A above the staff, featuring a written-out tenor solo.SKU: AL38706 -
banda de jazz, nível 1 da banda de jazz
Summertime
This Gershwin classic has a refreshing sound, as the chorale intro slips into a slow swing feel reminiscent of the legendary Miles Davis/Gil Evans arrangement. Arranger Rich DeRosa brings a big sound to the young jazz band. This one includes easy written solos for trombone, trumpet, tenor sax and alto sax with backgrounds behind each, a simple but very effective shout chorus and easy brass ranges. Give a listen and you will enjoy! (4:40)SKU: AL30664 -
banda de jazz, nível 3 da banda de jazz
Summertime
The beautiful Gershwin ballad shines in this strong Dave Wolpe arrangement for jazz ensemble with solo vocalist. We were surprised that Dave had not scored this tune before, but it was worth the wait. It is really smooth. To make the chart more flexible, you can also feature a tenor sax solo in place of the vocalist. Jazz Ensemble with Solo Vocalist – Medium Easy (4:16)
SKU: ALJEV9904 -
banda sinfónica, nível 2 da banda de sopros
Summertime (de Porgy and Bess) (Summertime (from Porgy and Bess))
banda sinfónica, nível 2 da banda de soprosSummertime (de Porgy and Bess) (Summertime (from Porgy and Bess))
Esta balada intemporal de “Porgy & Bess” de Gershwin é lindamente arranjada aqui para bandas jovens num ambiente de estilo bluesy swing. Robert Longfield utiliza harmonias ricas, partituras variadas e figuras de acompanhamento criativas ao longo deste arranjo que será certamente apreciado por públicos de todas as idades.SKU: HL04004157 -
banda de jazz, nível 1.5 da banda de jazz
Summertime (from Porgy and Bess)
This enduring Gershwin classic has long been a favorite with jazz artists. Paul’s marvelous setting for young players features a sultry Latin rock groove, tasty harmonies, easy rhythms, and no solos are required. Great feature number for the entire ensemble.Discovery Jazz series titles are written for full band, playable with 3 saxes, 2 trumpets, 1 trombone, and rhythm section. Each arrangement includes optional parts for flute, clarinet, F horn, and tuba. Full-length recordings are available for each arrangement online.SKU: HL07013816 -
banda de jazz, nível 3 da banda de jazz
Summertime (from Porgy and Bess)
Set in a distinctive medium swing/shuffle groove, Michael’s version for young ensembles presents a contemporary styling of this classic song from Porgy and Bess®. Mixing a variety of ensemble textures, a stop time solo section, and briefly slipping into a new key during the final chorus, this is sure to be a standout for festival or casual concert use. Solos are included for tenor sax and trumpet.SKU: HL7012311 -
banda de jazz, nível 3 da banda de jazz
The Man I Love
A wonderful feature for your female vocalist-smooth, sultry and romantic! You can almost hear Billie Holiday herself singing this Gershwin gem brilliantly arranged by Dave Wolpe. Featuring a modest vocal range of only an octave, easy brass ranges and a sweet written trumpet solo, this one is definitely a winner. Ideal for concert, show or dance, the audience will enjoy this well-known jazz vocal classic. Optional substitute vocal part written for tenor saxophone. (Vocal in A-flat)SKU: ALJEVM00003 -
banda de jazz, nível 4 da banda de jazz
The Man I Love
Using a sensuously slow Basie style, Mark has crafted a distinctive setting of this Gershwin standard that features the entire ensemble. Lush brass scoring on the “A” theme is contrasted with the saxes on the bridge, followed by a solo for trumpet and ending with a stunning ensemble shout chorus.SKU: HL07013694 -
banda de jazz, nível 4 da banda de jazz
There’s a Boat Dat’s Leavin’ Soon for New York from Porgy and Bess
banda de jazz, nível 4 da banda de jazzThere’s a Boat Dat’s Leavin’ Soon for New York from Porgy and Bess
One of the classic songs from Gershwin’s Porgy and Bess! Stylistically based on the famous collaboration of Miles Davis and Gil Evans, this powerful arrangement by Mike Tomaro set in a medium swing style will show every section of your band at its best. Timeless!SKU: HL7012309 -
banda de jazz, nível 3.5 da banda de jazz
They Can’t Take That Away from Me
A Gershwin classic for solo vocalist arranged by Dave Wolpe, this chart is written in two keys, B-flat and E-flat, to allow flexibility. The parts are reversible—just flip the page. Wolpe knows how to make your vocalist sound fantastic and how to keep the band happy with some wonderful Sinatra-style ensemble writing. Vocal range low key (B-flat): B-flat below middle C to third line B-flat, high key (E-flat): first line E-flat to fourth space E-flat. A winner. (3:04)SKU: ALJEVM05002
