ΠΠ°Π³Π°Π·ΠΈΠ½
ΠΡΠΎΠ±ΡΠ°ΠΆΠ΅Π½ΠΈΠ΅ 529–552 ΠΈΠ· 5741
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Π΄ΠΆΠ°Π·-Π±ΡΠ½Π΄, Π΄ΠΆΠ°Π·-Π±ΡΠ½Π΄ ΡΡΠΎΠ²Π΅Π½Ρ 3
Early Afternoon Blues
Recorded by Chick Corea and Origin on the CD βChange,β Chick pays tribute to the hard bop era (and Miles Davis in particular) with this modal medium tempo blues. Mark Taylor’s version for young players starts with a small group playing the head before the saxes take over on the second chorus. Including solo space for piano and also a flexible solo section with written samples for all players, this well-written chart will make any band sound polished. (Boosey & Hawkes)SKU: HL48019477 -
Π΄ΠΆΠ°Π·-Π±ΡΠ½Π΄, Π΄ΠΆΠ°Π·-Π±ΡΠ½Π΄ ΡΡΠΎΠ²Π΅Π½Ρ 2
Earth, Wind & Fire Dance Mix
Featuring the classic dance tunes Let’s Groove, Boogie Wonderland and Sing A Song, here is a fun medley of hits from Earth, Wind & Fire. The infectious groove and signature horn licks make this a great choice for young players. Enjoy great flexibility with the Easy Jazz Ensemble series! Playable with 4 saxes, 3 trumpets, 3 trombones and rhythm.SKU: HL7011329 -
ΠΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ, ΠΠΎΠ½ΡΠ΅ΡΡΠ½ΡΠΉ Π΄ΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ ΡΡΠΎΠ²Π΅Π½Ρ 2
Earth, Wind & Fire Dance Mix (Earth, Wind & Fire Dance Mix)
ΠΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ, ΠΠΎΠ½ΡΠ΅ΡΡΠ½ΡΠΉ Π΄ΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ ΡΡΠΎΠ²Π΅Π½Ρ 2Earth, Wind & Fire Dance Mix (Earth, Wind & Fire Dance Mix)
Π’Π°Π½ΡΠ΅Π²Π°Π»ΡΠ½Π°Ρ Π»ΠΈΡ ΠΎΡΠ°Π΄ΠΊΠ° ΡΠ½ΠΎΠ²Π° Π½Π°ΡΡΠΈΠ³Π°Π΅Ρ Π²Π°Ρ Ρ ΡΡΠΈΠΌ ΡΠ΅ΠΌΠΏΠΎΠ²ΡΠΌ ΠΏΠΎΠΏΡΡΡΠΈ ΠΈΠ· Ρ ΠΈΡΠΎΠ² Π³ΡΡΠΏΠΏΡ Earth, Wind & Fire. ΠΠΊΠ»ΡΡΠ°Π΅Ρ: Boogie Wonderland, Let’s Groove ΠΈ Sing a Song. ΠΡΡ: 4:00SKU: HL08725218 -
ΠΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ, ΠΠΎΠ½ΡΠ΅ΡΡΠ½ΡΠΉ Π΄ΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ ΡΡΠΎΠ²Π΅Π½Ρ 3
Earthdance (Earthdance)
ΠΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ, ΠΠΎΠ½ΡΠ΅ΡΡΠ½ΡΠΉ Π΄ΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ ΡΡΠΎΠ²Π΅Π½Ρ 3Earthdance (Earthdance)
Π ΡΠ΅ΡΡΡ ΡΠ²ΡΠ·ΠΈ ΡΠ΅Π»ΠΎΠ²Π΅ΡΠ΅ΡΡΠ²Π° Ρ Π½Π°ΡΠ΅ΠΉ ΠΏΠ»Π°Π½Π΅ΡΠΎΠΉ ΠΠ°ΠΉΠΊΠ» ΡΠΎΠ·Π΄Π°Π» Π½Π΅ΠΎΠ±ΡΡΠ½ΠΎΠ΅ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅ Π΄Π»Ρ ΠΎΡΠΊΠ΅ΡΡΡΠ°, ΠΈΡΠΏΠΎΠ»ΡΠ·ΡΡ ΠΈΠ½ΡΡΠΈΠ³ΡΡΡΠΈΠΉ Π½Π°Π±ΠΎΡ ΠΊΠΎΠΌΠΏΠΎΠ·ΠΈΡΠΈΠΎΠ½Π½ΡΡ ΡΡΠ΅Π΄ΡΡΠ² ΠΈ Π·Π°Ρ Π²Π°ΡΡΠ²Π°ΡΡΠΈΠ΅ ΠΌΠ΅Π»ΠΎΠ΄ΠΈΠΈ. Π‘Π»ΡΡΠ°ΡΠ΅Π»ΠΈ ΠΏΠΎΠ³ΡΡΠΆΠ°ΡΡΡΡ Π² ΠΈΠΌΠΈΡΠ°ΡΠΈΡ Π»ΠΈΠ²Π½Ρ, Π·Π²ΡΠΊΠΈ ΠΌΠΈΡΠΎΠ²ΡΡ Π±Π°ΡΠ°Π±Π°Π½ΠΎΠ², ΠΏΠ΅ΡΠ΅ΠΊΡΡΠ²Π°ΡΡΠΈΠ΅ΡΡ ΡΠΎΠ½Π°Π»ΡΠ½ΡΠ΅ ΠΊΠ»Π°ΡΡΠ΅ΡΡ ΠΈ ΡΠ²Π΅ΡΠ°, ΠΈ, Π½Π°ΠΊΠΎΠ½Π΅Ρ, Π² ΡΠ°Π½Π΅Ρ Π»ΠΈΠΊΠΎΠ²Π°Π½ΠΈΡ, ΠΊΠΎΠ³Π΄Π° ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅ ΠΏΡΠΈΡ ΠΎΠ΄ΠΈΡ ΠΊ ΡΠ΄ΠΎΠ²Π»Π΅ΡΠ²ΠΎΡΠΈΡΠ΅Π»ΡΠ½ΠΎΠΌΡ ΠΈ ΠΏΠΎΠ»Π΅Π·Π½ΠΎΠΌΡ Π·Π°Π²Π΅ΡΡΠ΅Π½ΠΈΡ. ΠΡΡ: 7:30SKU: HL04002979 -
ΠΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ, ΠΠΎΠ½ΡΠ΅ΡΡΠ½ΡΠΉ Π΄ΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ ΡΡΠΎΠ²Π΅Π½Ρ 1
Edifice
ΠΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ, ΠΠΎΠ½ΡΠ΅ΡΡΠ½ΡΠΉ Π΄ΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ ΡΡΠΎΠ²Π΅Π½Ρ 1Edifice
ΠΠΎΠΌΠΏΠΎΠ·ΠΈΡΠΈΡ “Edifice” Π±ΡΠ»Π° Π½Π°ΠΏΠΈΡΠ°Π½Π° Π² ΡΠ΅ΡΡΡ 100-Π»Π΅ΡΠΈΡ Π·Π΄Π°Π½ΠΈΡ 6-Π³ΠΎ ΠΊΠ»Π°ΡΡΠ° ΡΠΊΠΎΠ»Ρ Π² Π³ΠΎΡΠΎΠ΄Π΅ Π’ΡΠΎΠΉ, ΡΡΠ°Ρ ΠΠ³Π°ΠΉΠΎ. ΠΡΡΡΠΏΠΈΡΠ΅Π»ΡΠ½ΡΠ΅ Π²Π΅Π»ΠΈΡΠ΅ΡΡΠ²Π΅Π½Π½ΡΠ΅ Π°ΠΊΠΊΠΎΡΠ΄Ρ Π±Π»ΠΎΠΊΠ° Π½Π°ΠΏΠΎΠΌΠΈΠ½Π°ΡΡ ΠΎ ΠΏΡΠΎΡΠ½ΠΎΡΡΠΈ ΠΈ Π²ΡΠ½ΠΎΡΠ»ΠΈΠ²ΠΎΡΡΠΈ ΡΠ°ΠΌΠΎΠ³ΠΎ Π·Π΄Π°Π½ΠΈΡ, Π° Π±ΠΎΠ»Π΅Π΅ Π±ΡΡΡΡΠ°Ρ ΠΈ ΠΌΠ΅Π»ΠΎΠ΄ΠΈΡΠ½Π°Ρ ΠΎΡΠ½ΠΎΠ²Π½Π°Ρ ΡΠ΅ΠΌΠ° ΠΎΡΡΠ°ΠΆΠ°Π΅Ρ ΡΠ½ΠΎΡΠ΅ΡΠΊΡΡ ΡΠ½Π΅ΡΠ³ΠΈΡ ΠΈ ΠΎΠΏΡΠΈΠΌΠΈΠ·ΠΌ ΠΌΠ½ΠΎΠ³ΠΈΡ ΠΏΠΎΠΊΠΎΠ»Π΅Π½ΠΈΠΉ ΡΡΠ΅Π½ΠΈΠΊΠΎΠ² ΡΠΊΠΎΠ»Ρ. (2:20) “Edifice” ΡΠΎΠΎΡΠ½ΠΎΡΠΈΡΡΡ Ρ ΠΊΠ½ΠΈΠ³ΠΎΠΉ 1, ΡΡΠΎΠ²Π΅Π½Ρ 3 Sound Innovations Π΄Π»Ρ ΠΡΡ ΠΎΠ²ΠΎΠ³ΠΎ ΠΎΡΠΊΠ΅ΡΡΡΠ°.SKU: AL41912 -
Π΄ΠΆΠ°Π·-Π±ΡΠ½Π΄, Π΄ΠΆΠ°Π·-Π±ΡΠ½Π΄ ΡΡΠΎΠ²Π΅Π½Ρ 4
El Abrazo
“El Abrazo” by Alan Baylock is truly stunning chart! The ballad beginning and ending will bring tears to your eyes—it’s that beautiful. The chart then moves to a samba around 110 BPM for the half note. Lead trumpet range is to written high C and there is a tenor solo with chord changes. You won’t forget this chart! As recorded on Alan Baylocks’ CD Prime Time. (7:35)SKU: AL45080 -
Π΄ΠΆΠ°Π·-Π±ΡΠ½Π΄, Π΄ΠΆΠ°Π·-Π±ΡΠ½Π΄ ΡΡΠΎΠ²Π΅Π½Ρ 6
El Macho Muchacho
Composed and arranged by Gordon Goodwin, this buoyant samba is sweet. Soprano sax lead and solo space available for soprano, alto, tenor, trumpet and trombone. Lead trumpet range is to written high F-sharp, and it has an auxiliary percussion part and an optional 1st alto part. This chart is exciting and dynamic! (1:26)SKU: AL29811 -
ΠΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ, ΠΠΎΠ½ΡΠ΅ΡΡΠ½ΡΠΉ Π΄ΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ ΡΡΠΎΠ²Π΅Π½Ρ 4
El Son de la Negra (El Son de la Negra)
ΠΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ, ΠΠΎΠ½ΡΠ΅ΡΡΠ½ΡΠΉ Π΄ΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ ΡΡΠΎΠ²Π΅Π½Ρ 4El Son de la Negra (El Son de la Negra)
ΠΡΠ° Π°ΡΠ°Π½ΠΆΠΈΡΠΎΠ²ΠΊΠ° ΡΡΠ΅Π΄Π½Π΅Π³ΠΎ/ΠΏΡΠΎΠ΄Π²ΠΈΠ½ΡΡΠΎΠ³ΠΎ ΡΡΠΎΠ²Π½Ρ, ΡΡΠΈΡΠ°ΡΡΠ°ΡΡΡ ΠΎΠ΄Π½ΠΎΠΉ ΠΈΠ· ΡΠ°ΠΌΡΡ Π·Π½Π°ΠΊΠΎΠ²ΡΡ ΠΏΠ΅ΡΠ΅Π½ ΠΆΠ°Π½ΡΠ° ΠΌΠ°ΡΠΈΠ°ΡΠΈ, ΡΠΎΠ΄Π΅ΡΠΆΠΈΡ Π²ΡΠ΅ ΡΠ»Π΅ΠΌΠ΅Π½ΡΡ ΡΡΠ°Π΄ΠΈΡΠΈΠΎΠ½Π½ΠΎΠ³ΠΎ ΡΡΠΈΠ»Ρ Son Jalisciense. (Π£ΡΠΎΠ²Π΅Π½Ρ 4)SKU: HL4003365 -
Π΄ΠΆΠ°Π·-Π±ΡΠ½Π΄, Π΄ΠΆΠ°Π·-Π±ΡΠ½Π΄ ΡΡΠΎΠ²Π΅Π½Ρ 1
El Tigre
Here’s a super Latin chart for your first-year players. A driving rhythm keeps the energy going top to bottom on this Carl Strommen original. The piano sets things up in the intro, and the cowbell builds it from there. Layers of simple straight-eighth note patterns build right into the solo section. This easy-to-play chart features written alto and trumpet solos with ensemble backgrounds, very reasonable brass ranges (trumpet and trombone to D), and a simple piano interlude with the drummer. If you want a fun Latin tune that just about plays itself, then try EL TIGRE!SKU: ALJEM00038 -
Π΄ΠΆΠ°Π·-Π±ΡΠ½Π΄, Π΄ΠΆΠ°Π·-Π±ΡΠ½Π΄ ΡΡΠΎΠ²Π΅Π½Ρ 5
Eleanor Rigby
Commissioned by the US Army Jazz Ambassadors, this arrangement by Eric Richards shines new light on the beauty and depth of the classic Beatles hit. An up-tempo Brazilian groove gives way to hints of samba and songo, but always with a smooth and laid back feel. Piano solo is featured off the top, followed by a trio of tenor, trombone and guitar on the head, and later solo space for one or more of these players. A brief nod to the classical feel of the original Beatles track helps build to a climactic shout for the full ensemble. Nice!SKU: HL7011995 -
ΠΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ, ΠΠΎΠ½ΡΠ΅ΡΡΠ½ΡΠΉ Π΄ΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ ΡΡΠΎΠ²Π΅Π½Ρ 3
Embers of the Ancient Realms (Embers of the Ancient Realms)
ΠΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ, ΠΠΎΠ½ΡΠ΅ΡΡΠ½ΡΠΉ Π΄ΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ ΡΡΠΎΠ²Π΅Π½Ρ 3Embers of the Ancient Realms (Embers of the Ancient Realms)
ΠΡΠΏΡΠ°Π²ΡΡΠ΅ΡΡ Π² ΡΠΌΠΎΡΠΈΠΎΠ½Π°Π»ΡΠ½ΠΎΠ΅ ΠΈ Π·Π°Ρ Π²Π°ΡΡΠ²Π°ΡΡΠ΅Π΅ ΠΏΡΠΈΠΊΠ»ΡΡΠ΅Π½ΠΈΠ΅. ΠΠΊΠ·ΠΎΡΠΈΡΠ΅ΡΠΊΠΈΠ΅ Π·Π²ΡΠΊΠΈ Π³Π°ΡΠΌΠΎΠ½ΠΈΡΠ΅ΡΠΊΠΈΡ ΠΈ Π΄Π²ΠΎΠΉΠ½ΡΡ Π³Π°ΡΠΌΠΎΠ½ΠΈΡΠ΅ΡΠΊΠΈΡ ΠΌΠΈΠ½ΠΎΡΠ½ΡΡ Π³Π°ΠΌΠΌ Π² ΡΠΎΡΠ΅ΡΠ°Π½ΠΈΠΈ Ρ ΡΠΈΠ½ΠΊΠΎΠΏΠΈΡΠΎΠ²Π°Π½Π½ΡΠΌΠΈ ΡΠΈΡΠΌΠ°ΠΌΠΈ ΠΈ ΡΠ΅ΡΡΠ½Π°Π΄ΡΠ°ΡΡΠΌΠΈ Π½ΠΎΡΠ°ΠΌΠΈ, Π²Π΅Π»ΠΈΠΊΠΎΠ»Π΅ΠΏΠ½Π°Ρ ΠΏΠ°ΡΡΠΈΡΡΡΠ° ΡΠ΄Π°ΡΠ½ΡΡ ΠΈ Π΄ΡΠ°ΠΌΠ°ΡΠΈΡΠ΅ΡΠΊΠΈΠ΅ ΠΌΠ΅Π»ΠΎΠ΄ΠΈΠΈ ΡΠ΄Π΅Π»Π°ΡΡ ΡΡΡ ΠΊΠΎΠΌΠΏΠΎΠ·ΠΈΡΠΈΡ ΠΈΠ·ΡΠΌΠΈΠ½ΠΊΠΎΠΉ Π²Π°ΡΠ΅ΠΉ ΡΠ»Π΅Π΄ΡΡΡΠ΅ΠΉ ΠΊΠΎΠ½ΡΠ΅ΡΡΠ½ΠΎΠΉ ΠΏΡΠΎΠ³ΡΠ°ΠΌΠΌΡ.SKU: HLPC28635 -
Π΄ΠΆΠ°Π·-Π±ΡΠ½Π΄, Π΄ΠΆΠ°Π·-Π±ΡΠ½Π΄ ΡΡΠΎΠ²Π΅Π½Ρ 1
Embraceable You
This Gershwin classic has been performed and recorded countless times, and now it’s time for your beginning players to play and learn this gorgeous standard! Arranger Mike Lewis has scored Embraceable You to sound full even with reduced instrumentation. Alto saxophone has the featured solo along with a brief tenor sax solo and plenty of ensemble throughout. Mike captures the Gershwin essence with this classy arrangement. (3:07)SKU: ALJEM02011 -
Π΄ΠΆΠ°Π·-Π±ΡΠ½Π΄, Π΄ΠΆΠ°Π·-Π±ΡΠ½Π΄ ΡΡΠΎΠ²Π΅Π½Ρ 3
Embraceable You
What a gorgeous ballad. This wonderful Gershwin standard, recorded and performed countless times, is ideal for your students to play and learn. Featured are beautiful chord changes throughout with nice block harmonies for the ‘bones, a muted trumpet solo, and alto sax and tenor sax solos each playing written-out melodic lines. Speaking of chords, this is a great opportunity to teach students to recognize diminished chords. Your drummer is using brushes until the end, keeping this chart tender and sweet, and the brass ranges are quite reasonable with trumpet to G and trombone to F. It’s a great change-of-pace ballad for any setting. Roy Phillippe truly captures the essence of Gershwin with this classy arrangement.SKU: ALJEM00026 -
Π΄ΠΆΠ°Π·-Π±ΡΠ½Π΄, Π΄ΠΆΠ°Π·-Π±ΡΠ½Π΄ ΡΡΠΎΠ²Π΅Π½Ρ 3.5
Embraceable You
A tasty chart with a medium swing feel at 120 BPM. Optional flugelhorns add to the rich textures, a written solo is provided for tenor sax, and lead trumpet range is to written high C. It will be a pleasure to play this chart. (4:03)SKU: AL41156 -
Π΄ΠΆΠ°Π·-Π±ΡΠ½Π΄, Π΄ΠΆΠ°Π·-Π±ΡΠ½Π΄ ΡΡΠΎΠ²Π΅Π½Ρ 3
Embraceable You
Romantic songs always communicate well with the audience, and this GershwinΒ¨ classic is one of the best. This flexible arrangement is written in two keys by creative arranger Dave Wolpe. The higher key is designed for a male vocalist and the lower key for your female vocalist, and the parts are printed back to back—just flip the page. Low (female) key of C range is G below middle C to third line B. High (male) key (F) range is middle C to fourth space E. This is a must-have vocal solo with jazz ensemble—superb!SKU: ALJEVM01002 -
Π΄ΠΆΠ°Π·-Π±ΡΠ½Π΄, Π΄ΠΆΠ°Π·-Π±ΡΠ½Π΄ ΡΡΠΎΠ²Π΅Π½Ρ 3
Emergency Stopping Only
A fiery Latin Afro-Cuban song with a unison sax melody sets up the high-energy level for this chart. Solos are for trumpet 2, trombone 1 (both written), and drums. Lead trumpet range is to written B-flat above the staff with an optional D. The bari sax and bass ‘bone players both get a lot of action in the interlude. This one does not stop!SKU: AL33352 -
Π΄ΠΆΠ°Π·-Π±ΡΠ½Π΄, Π΄ΠΆΠ°Π·-Π±ΡΠ½Π΄ ΡΡΠΎΠ²Π΅Π½Ρ 2
Emily
“Emily” is a beautiful waltz-certainly one of the finest melodies of our time by composer Johnny Mandel. Arranger Lisa DeSpain delivers a fine chart that will help you teach phrasing, how to connect the phrases, phrase contour, use of slurs, and vibrato. The melody is stated by trombone and tenor sax, written or ad lib solos are for trombone and cued for trumpet. Range is modest and the rhythm section can focus on the 3/4 feel. You’ll enjoy this one. (3:03)SKU: ALJEM05009 -
Π΄ΠΆΠ°Π·-Π±ΡΠ½Π΄, Π΄ΠΆΠ°Π·-Π±ΡΠ½Π΄ ΡΡΠΎΠ²Π΅Π½Ρ 3
Enter Sandman
From heavy metal masters Metallica, this 1991 hit is one your players can really cut loose on. Arranged here as a feature for guitar, performance options are provided for bands without guitar. All of the signature lines are still here for a rockin’ good time!SKU: HL2500969 -
ΠΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ, ΠΠΎΠ½ΡΠ΅ΡΡΠ½ΡΠΉ Π΄ΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ ΡΡΠΎΠ²Π΅Π½Ρ 1
Entrada (Π£Π²Π΅ΡΡΡΡΠ° Π΄Π»Ρ ΠΎΡΠΊΠ΅ΡΡΡΠ°) (Entrada (An Overture for Band))
ΠΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ, ΠΠΎΠ½ΡΠ΅ΡΡΠ½ΡΠΉ Π΄ΡΡ ΠΎΠ²ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡ ΡΡΠΎΠ²Π΅Π½Ρ 1Entrada (Π£Π²Π΅ΡΡΡΡΠ° Π΄Π»Ρ ΠΎΡΠΊΠ΅ΡΡΡΠ°) (Entrada (An Overture for Band))
ΠΠ»Π°ΡΡΠΈΡΠ΅ΡΠΊΠ°Ρ ΡΠΎΡΠΌΠ° A-B-A ΡΠ²Π»ΡΠ΅ΡΡΡ ΡΡΡΡΠΊΡΡΡΠΎΠΉ ΡΡΠΎΠΉ ΡΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΠΎΠΉ ΡΠ²Π΅ΡΡΡΡΡ. ΠΠ°ΡΠ°Π»ΡΠ½ΡΠΉ ΠΈ Π·Π°ΠΊΠ»ΡΡΠΈΡΠ΅Π»ΡΠ½ΡΠΉ ΡΠ΅Π³ΠΌΠ΅Π½ΡΡ ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»ΡΡΡ ΡΠΎΠ±ΠΎΠΉ ΡΠΌΠ΅Π»ΡΠ΅ Π²ΡΡΠΊΠ°Π·ΡΠ²Π°Π½ΠΈΡ ΠΌΠ°Ρ-ΠΊΠ°ΡΠΎ, ΡΠ°Π·Π΄Π΅Π»Π΅Π½Π½ΡΠ΅ ΠΏΠ»Π°Π²Π½ΠΎΠΉ ΠΌΠ΅Π»ΠΎΠ΄ΠΈΡΠ΅ΡΠΊΠΎΠΉ ΡΠ΅ΠΌΠΎΠΉ. ΠΠ°ΠΌΠ΅ΡΠ°ΡΠ΅Π»ΡΠ½Π°Ρ ΠΌΡΠ·ΡΠΊΠ° Π΄Π»Ρ Π²Π·ΡΡΠΊΠ°ΡΠ΅Π»ΡΠ½ΠΎΠ³ΠΎ ΡΠ΅ΠΆΠΈΡΡΠ΅ΡΠ°. (2:00)SKU: ALBDM02041