Sy Johnson

This classic Mingus composition is meant to be performed with a sense of an “anger” or sarcasm, and definitely projects an edginess. The bari sax and bass bone will have fun with the opening and there is plenty for the rest of the ensemble to get excited about as well in this medium swing romp.

One of the most engaging and lighthearted of all Mingus’ compositions, this was originally meant to provide a musical bridge from Jelly Roll Morton to Mingus’ own unique compositional voice. Here is a marvelous version for big band that alternates between a medium slow 2-beat feel and straight ahead swing. Includes solos for trombone, alto and trumpet.

Originally recorded by Charles Mingus on his Mingus Ah Um album in 1959, Sy Johnson has transformed this through-composed ballad into a stunningly beautiful setting for full jazz ensemble. Featuring effective dynamic contours, a nice variety of textures, and solos for trumpet and tenor, this will become a focal point for concerts or festivals.

Written in a medium-tempo, swing style, the saxes take the lead in the beginning answered by screaming brass figures. Soprano sax and a solo trombone engage in an ongoing bluesy dialogue interspersed with swingin’ passages for the entire band. All masterfully arranged by Sy Johnson.Recorded live by the Mingus Big Band